Christoffer and Maja's trip to Prague to bring back Chistoffer's deceased father evolves into the story of a break-up. In the wake of the events that follow, secrets gradually emerge which threaten to destroy their marriage.
2 Danish friends are tired of their employer and open their own butcher shop. An electrician accidentally dies in the freezer and he's sold as marinated chicken and business picks up. What happens when they run out of "chicken"?
Anders Thomas Jensen
Nikolaj Lie Kaas,
Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big ... See full summary »
Four small-time gangsters from Copenhagen trick a gangster boss: they take over 4,000,000 kroner which they were supposed to bring him. Trying to escape to Barcelona they are forced to stop... See full summary »
SPOILER: Cecilie is devastated when her fiancée Joachim is seriously injured in a car accident and is paralyzed from the neck down. Marie was the driver that caused the accident and she ask her husband Niels, a doctor at the hospital where Joachim is being treated, to help out Cecilie. However their relationship evolves in an affair which threatens Niels family.Written by
The ThermaCAM used in the opening and closing scenes, was originally intended for use throughout the movie. But in final editing Susanne Bier cut all the ThermaCAM-shots, because she felt they conflicted with the movies realistic tone. See more »
The credits are stamped on the screen in thermal photography. See more »
A Bergmanesque study of a marriage that is turned upsidedown by one part mishap and one part momentary lapse of reason. What's provocative here, and makes for an intelligent and moving film, is the way in which the spurned wife (played with quiet dignity by the estimable Paprika Steen) doesn't dish up deserved revenge, quivering hatred or physical or mental violence. but, rather, offers an attempt to understand, to accept, and to hold the family together regardless. How rare is this? The line that stays with me - and it's a casual aside but one that cuts straight to the bone - is Paprika telling her husband's mistress that `we can't even afford' the new furniture he has lavished on her.
Once the film hits its groove, its DOGME origins are forgotten and we're left with intimacy and the thousand and one little tragedies that unfold on any given day of any given week. It could be said to be modest in scope, somewhat uninventive in form, and it does immerse itself uncritically in the middle class milieu (and in this respect, I would liken it to Moretti's `La Stanza del Figlio' - except that film does seem to express a suppressed distaste for Berlusconi's Italy), but there's an honesty and maturity that make it a valuable experience - particularly for any teenager used to a soap opera diet of hysterical marriage operatics. or for anyone still recovering from `Festen'.
At its best, and there's a frisson of that here, DOGME-95 has delivered fresh slices of life (or, to elaborate, privileges a panorama of personal battles against a recognisably familiar backdrop) - its Vows of Chastity whittling the camera down to something akin to a microscope.
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