A painter living in exile returns home where his family endured generations of racial violence. There he begins to fantasize the people around him as a series of portraits in order to bury the pain and find something beautiful to feel.
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An aging painter living in exile returns to his southern hometown, where his family endured generations of racial violence, to bury his estranged sister. Once there he begins to fantasize the people around him as a series of vignettes and portraits in order to bury the pain and find something beautiful to feel, however strange and fleeting, at odds but never too far away from the scars of the past.Written by
I saw this at the Chicago Int'l Film Festival. I really liked it although it wasn't as polished as many movies we see in the theatre these days. But the characters seemed real; the dialog was so real that I asked the director, who was there, if it was ad-libbed. He said, no, maybe only 5%.
The ensemble cast was excellent; some familiar faces (Billy Dee Williams, Lesley Ann Warren, Rae Dawn Chong)...but in roles that seemed to fit them very well.
The score, some well known songs, some not, was sometimes distracting. And the last scene, a very emotional one, had music "swelling" in the background, that made it seem like a made-for-TV movie. That could be improved. But overall, I would recommend this movie to anyone (race not important) who's had to deal with unresolved family "issues".
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