IMDb RATING
7.8/10
3.9K
YOUR RATING
Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.
- Director
- Writers
- Stars
- Awards
- 8 wins & 14 nominations total
Benny 'Papa Zita' Benjamin
- Self
- (archive footage)
Eddie 'Bongo' Brown
- Self
- (archive footage)
James Jamerson
- Self
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
At 35, I'm too young too have been around when all this great music first appeared. But I truly feel the Motown music in my soul, always have. I still get goosebumps, to this day, when I hear certain Motown songs.
Therefore, I spent half this film sobbing, for the beauty & genius of the music, the happiness I felt that that Funk Brothers were finally getting their due, and lamenting, as always, that they simply do not make music like this any more, and never will again.
Beautifully filmed, fascinating....if it doesn't move you, or get you moving, you must be comatose.
Therefore, I spent half this film sobbing, for the beauty & genius of the music, the happiness I felt that that Funk Brothers were finally getting their due, and lamenting, as always, that they simply do not make music like this any more, and never will again.
Beautifully filmed, fascinating....if it doesn't move you, or get you moving, you must be comatose.
Standing in the Shadows of Motown is a terrific documentary that gives us a wonderful introduction to The Funk Brothers, the musicians behind the hits at Motown. This is their story, therefore little time is devoted to Barry Gordy or the label's stars. The Brothers emerge as engaging personalities in their own right - it's a pleasure to listen to them tell their tales of life in "the Snake Pit" (the studio) at Motown.
Even more a pleasure is listening to them play and hearing new interpretations of some of the great old tunes. Especially, for me, Bootsy Collins on "Cool Jerk" (Bootsy puts the "fun" in "funk") and Joan Osborne on "Heat Wave" (the Brothers really groove on this one) and "What becomes of the Broken Hearted" - a stirring rendition that raises the roof and brings down the house! Great stuff. A few of the other new performances are not quite as strong as this, but overall the music is just great. The old guys have still got it. I really loved hearing little bits of their jazz playing sprinkled throughout the movie - in fact I'd like to have heard more of this, but of course there are time constraints in any film. It was also great to hear some of the arrangements broken down to (or built up from) individual parts. It brings home the fact that these guys are really creative players (try to imagine "My Girl" without the "dum da da da da da" guitar lick, for example).
I already knew a bit about James Jamerson, the genius bass player for Motown, before watching this movie, but meeitng the rest of these great players and hearing their stories was just a pure pleasure straight through. Good to see these guys getting their props - they are The Funk Brothers!
Even more a pleasure is listening to them play and hearing new interpretations of some of the great old tunes. Especially, for me, Bootsy Collins on "Cool Jerk" (Bootsy puts the "fun" in "funk") and Joan Osborne on "Heat Wave" (the Brothers really groove on this one) and "What becomes of the Broken Hearted" - a stirring rendition that raises the roof and brings down the house! Great stuff. A few of the other new performances are not quite as strong as this, but overall the music is just great. The old guys have still got it. I really loved hearing little bits of their jazz playing sprinkled throughout the movie - in fact I'd like to have heard more of this, but of course there are time constraints in any film. It was also great to hear some of the arrangements broken down to (or built up from) individual parts. It brings home the fact that these guys are really creative players (try to imagine "My Girl" without the "dum da da da da da" guitar lick, for example).
I already knew a bit about James Jamerson, the genius bass player for Motown, before watching this movie, but meeitng the rest of these great players and hearing their stories was just a pure pleasure straight through. Good to see these guys getting their props - they are The Funk Brothers!
I really loved this documentary. Three key points: (1) I applaud the spirit and energy to put the project- long overdue recognition and praise for great musicians- together. I happen to be a fan of the Temptations movie and saw this DVD next to it. Had I not bought it on a whim, I would be so much more empty. (2) James Jamerson-I would love a documentary on him alone. Not because of his quirks, but because of his tortured spirits; a great movie-making project! Also, upon my research of this topic after seeing this film, I came across an extensive web site, bassplayer.com, with a great tribute page to Jamerson. Among the most outrageous discussions that have not been resolved to my knowledge- who played bass on Stevie Wonder's "I Was Made to Love Her"? The majority of folks strongly contend it was James Jamerson, however, a woman named Carol Kaye states she was the actual bass player for the song.
I don't know the truth, but I do know that after never hearing the bass in the song for the 30+ plus that this has been one of my all-time favorite songs, I ONLY hear the bass line. That bass line is so masterful, so exceptional, and so unrelentingly funky, that I believe only a virtuoso could have done it. The fact that that song and bass line were done in 1966/67, amidst so many hundreds of other Motown hits and other songs, tells me that the Funk Brothers and James Jamerson were truly blessed talents.
(3) Chaka Khan's rendition of Marvin Gaye's "What's Going On" is undoubtedly the very best performance I have ever seen her do and is among the top performances ever recorded. That she won a Grammy for the song is amazing. She actually sang it in 2000; the movie was released in 2002 and won the Grammy in 2003! I get teary every time I hear her singing the song in the movie(I replayed this section at least 10 times when I first saw the movie) and I don't think she will ever have another brilliant performance that would match that intensity. Bottom line: I strongly recommend this movie and subsequent deeper research into other great R&B music roots. Rod Walker
I don't know the truth, but I do know that after never hearing the bass in the song for the 30+ plus that this has been one of my all-time favorite songs, I ONLY hear the bass line. That bass line is so masterful, so exceptional, and so unrelentingly funky, that I believe only a virtuoso could have done it. The fact that that song and bass line were done in 1966/67, amidst so many hundreds of other Motown hits and other songs, tells me that the Funk Brothers and James Jamerson were truly blessed talents.
(3) Chaka Khan's rendition of Marvin Gaye's "What's Going On" is undoubtedly the very best performance I have ever seen her do and is among the top performances ever recorded. That she won a Grammy for the song is amazing. She actually sang it in 2000; the movie was released in 2002 and won the Grammy in 2003! I get teary every time I hear her singing the song in the movie(I replayed this section at least 10 times when I first saw the movie) and I don't think she will ever have another brilliant performance that would match that intensity. Bottom line: I strongly recommend this movie and subsequent deeper research into other great R&B music roots. Rod Walker
I just wanted to say that I think that this is going to be a great docudrama, and it really gives a good look into what really went on during the early days of Motown. I was an extra in the movie so I have to say......Its gonna be good. Hope you enjoy it as much as i did participating in the project. I'm just an extra so dont look for anything more than my pretty little face.
"Standing In The Shadows Of Motown" is a wonderful insight into the sessions musicians who played on practically every track that Motown Records produced between 1959-1972. Known as "The Funk Brothers", these talented men helped craft a sound that became distinctive around the world. They were, the musical backbone of the legendary record label.
Directed by Paul Justman, this documentary highlights the trials and tribulations of "The Funk Brothers". With interviews from the surviving members, and concert footage of classic songs from many of today's artists such as Joan Osbourne, Ben Harper, Me'Shell Ndegeocello and several others, this is an entertaining and thoughtful look at the accomplishments these men have made to contemporary American music and the imprint they have left behind.
Fascinating, touching, amusing and at times tragic, this documentary is well worth checking out. For lovers of music and for those who enjoyed a good solid documentary, "Standing In The Shadows Of Motown" delivers the goods on both counts. See how things were done - Old school style.....
Directed by Paul Justman, this documentary highlights the trials and tribulations of "The Funk Brothers". With interviews from the surviving members, and concert footage of classic songs from many of today's artists such as Joan Osbourne, Ben Harper, Me'Shell Ndegeocello and several others, this is an entertaining and thoughtful look at the accomplishments these men have made to contemporary American music and the imprint they have left behind.
Fascinating, touching, amusing and at times tragic, this documentary is well worth checking out. For lovers of music and for those who enjoyed a good solid documentary, "Standing In The Shadows Of Motown" delivers the goods on both counts. See how things were done - Old school style.....
Storyline
Did you know
- TriviaThe Detroit Symphony Orchestra got the last credit in the film. The orchestra provided strings and other instrumentation for Motown recording sessions. According to The Funk Brothers member Dennis Coffey in his book, "Guitars, Bars and Motown Superstars", this included sessions recorded with a Stradivarius violin played by the orchestra's violin concertmaster, Gordon Staples.
- Quotes
Uriel Jones: People would always say everything but the musicians. They would say it was the artists, the producers, the way the building was constructed, the wood in the floor, or maybe even food. But I'd like to see them take some barbecue ribs or hamburgers, anything, and throw down in that studio, shut the door and count off '1,2,3,4' and get a hit out of there. The formula was the musicians!
- Crazy creditsAfter all of the credits roll, we see a few of the Funk Brothers leaving the Snake Pit and turning off the lights.
- ConnectionsReferenced in Film Geek (2005)
- SoundtracksReach Out, I'll Be There
by Brian Holland, Lamont Dozier and Eddie Holland (as Edward Holland Jr.)
Performed by Gerald Levert and The Funk Brothers
Gerald Levert appears courtesy of Elektra Records
Used by permission of Jobete Music Co., Inc.
All Rights Reserved
- How long is Standing in the Shadows of Motown?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Standing in the Shadows of Motown: The Story of the Funk Brothers
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,722,119
- Opening weekend US & Canada
- $114,442
- Nov 17, 2002
- Gross worldwide
- $2,344,256
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content

Top Gap
By what name was Standing in the Shadows of Motown (2002) officially released in India in English?
Answer