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Two Weeks Notice (2002)

PG-13 | | Comedy, Romance | 20 December 2002 (USA)
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A lawyer decides that she's used too much like a nanny by her boss, so she walks out on him.

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2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Lucy Kelson
... George Wade
... June Carver
... Ruth Kelson
... Larry Kelson
... Meryl Brooks
... Howard Wade
... Tony
Joseph Badalucco Jr. ... Construction Foreman (as Joseph Badalucco)
Jonathan Dokuchitz ... Tom
... Melanie Corman
... Elaine Cominsky
Iraida Polanco ... Rosario
Charlotte Maier ... Helen Wade
... Tiffany
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Storyline

Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

This winter, take a second look at the one beside you. See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sex-related humor | See all certifications »

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Details

Country:

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Language:

Release Date:

20 December 2002 (USA)  »

Also Known As:

Untitled Marc Lawrence Project  »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$14,328,494, 22 December 2002, Wide Release

Gross USA:

$93,354,851

Cumulative Worldwide Gross:

$199,043,242
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

As of 2018, Hugh Grant starred in all four features directed by Marc Lawrence. This one is the first. See more »

Goofs

At the cocktail, when Tony (eating) and George talk each other, in the first interruption, Tony has the fork in the mouth. In the other take - in the sequence - Tony has the fork in the dessert. See more »

Quotes

Lucy Kelson: Please don't tell me you called me out of a wedding to pick out a suit.
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Crazy Credits

The beginning of the credits shows pictures of Sandra Bullock and Hugh Grant as children growing up. See more »

Connections

Featured in Radioman (2012) See more »

Soundtracks

Mais Oui Mambo
Written by Billy May and Conrad Gozzo
Performed by Billy May
Courtesy of Capitol Records
Under license from EMI Film & TV Music
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User Reviews

 
Light and effective ROM-COM.
6 February 2010 | by See all my reviews

Lucy Kelson {Sandra Bullock} lands a job as chief counsel for a big hitting New York real estate firm that is owned by mega-rich George Wade {Hugh Grant}. He's an engaging enough boss but he's very shallow, and Lucy finds that she's practically running his life for him. So finally tiring of being treated like a Personal Assistant, she gives her two weeks notice of resignation. But can the pair do with out each other? And is there more than a working relationship bubbling under the surface? For his first feature film directing assignment, Marc Lawrence played it safe and got lucky with his lead actors. Whilst hardly setting a new benchmark in the ROM-COM genre, Two Weeks Notice is however witty and not without charm. This is due in the main to the pairing of Grant & Bullock, who play it perky and spark a chemistry so sadly lacking in many other modern day films of its ilk. By their own admission the pair got on great off screen, and that is evident as the pair feed of each other to make the lightweight script work wonders. The dominance of the pair tho leaves little room for the supporting actors to breathe, with many of them coming across as mere fillers. It's this that stops the film from being the great film that Bullock, and particularly Grant's, efforts deserved.

Enjoyable light entertainment that could have been better if more thought had gone into the outer characters. 6.5/10


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