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Two Weeks Notice (2002)

PG-13 | | Comedy, Romance | 20 December 2002 (USA)
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A lawyer decides that she's used too much like a nanny by her boss, so she walks out on him.

Director:

Marc Lawrence

Writer:

Marc Lawrence
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4,386 ( 1,496)
2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sandra Bullock ... Lucy Kelson
Hugh Grant ... George Wade
Alicia Witt ... June Carver
Dana Ivey ... Ruth Kelson
Robert Klein ... Larry Kelson
Heather Burns ... Meryl Brooks
David Haig ... Howard Wade
Dorian Missick ... Tony
Joseph Badalucco Jr. Joseph Badalucco Jr. ... Construction Foreman (as Joseph Badalucco)
Jonathan Dokuchitz Jonathan Dokuchitz ... Tom
Veanne Cox ... Melanie Corman
Janine LaManna ... Elaine Cominsky
Iraida Polanco Iraida Polanco ... Rosario
Charlotte Maier Charlotte Maier ... Helen Wade
Katheryn Winnick ... Tiffany
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Storyline

Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Over. Done. Finished. A comedy about love at last glance. See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sex-related humor | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Australia

Language:

English

Release Date:

20 December 2002 (USA) See more »

Also Known As:

Untitled Marc Lawrence Project See more »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$14,328,494, 22 December 2002, Wide Release

Gross USA:

$93,354,851

Cumulative Worldwide Gross:

$199,043,242
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

British author Lynne Truss pointed out that the title of the film is grammatically incorrect. In her best-selling style book 'Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation', she correctly establishes that the title is missing an apostrophe ("Two Weeks' Notice"), thereby denoting proper possession of the title's subject. The original hardcover edition of 'Eats, Shoots, & Leaves' also featured Truss in her author's photo, glaring at the poster and holding a marker where the apostrophe should be. See more »

Goofs

While George and his driver are playing chess, George makes a move, they talk a bit, and George makes another move. The driver never touches a piece. See more »

Quotes

George Wade: Well, we obviously can't leave you alone with that stapler.
See more »

Crazy Credits

At the end of the credits, a picture postcard is shown with a rendering of the Coney Island Towers project, with the community center preserved as part of the design. See more »

Connections

Referenced in Arrgh! A Pirate Story (2011) See more »

Soundtracks

With Plenty Of Money And You
Written by Al Dubin and Harry Warren
Performed by Dick Hyman
Courtesy of Reference Recordings
See more »

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User Reviews

 
Refreshingly Non-Mushy Romantic Comedy
7 January 2005 | by slokesSee all my reviews

Sandra Bullock and Hugh Grant hearken back to classic screwball comedies in a very engaging if somewhat shallow romantic film that accentuates laughter above sentiment and succeeds wonderfully - even when it's not especially witty or gut-busting.

Bullock plays Lucy Kelson, a committed left-wing attorney with an immaculate Ivy League background who fights the good fight against the heartless developers of lower Manhattan and the outer boroughs. Complications ensue when she finds herself working for one such figure, George Wade (Grant) in exchange for his preserving a Coney Island landmark near her childhood home. Wade's not a bad guy, but he's frightfully dependent on Lucy for everything. When it seems possible she might at last get clear of him, she begins to have second thoughts about letting him go.

Two things I really, really like about this movie. One is the chemistry of Grant and Bullock. Bullock takes to being the butt of assorted slapstick with a gusto rare for a gorgeous screen star. She seems to have inherited the Doris Day mantle from Julia Roberts and Meg Ryan, though in a better way than either of those two screen stars. It's a pity she's since shown no interest in maintaining it. Grant plays off her very well in a role he could perform in his sleep - and sometimes seems to do just that, albeit in a good way. He has a casual way with a line that reminds me of Roger Moore or David Niven at their best, and shows he is growing comfortably into a solid on-screen presence after years of coasting on looks and charm. If IMDb.com is correct, he got paid $12.5 million for this, which if true is way too high, but he is probably the one guy who could make Wade so enjoyable, to the point where you're happy at his shenanigans for keeping Lucy by his side.

The other thing is the NYC backdrop. There's some eye-popping visuals courtesy of legendary cinematographer Laszlo Kovacs, like the bridges lit up like Christmas trees in the background while Bullock has a drunk moment with Grant aboard his yacht. Another scene features a helicopter shot of Manhattan by the Hudson, with a nice nod at 9/11 that doesn't impose itself on the viewer but is there for the noticing. (This was the first film shot in the city after the tragedy.) You can compare "Two Weeks Notice" with classic romantic comedies like "What's Up Doc?" or "Bringing Up Baby." Not that it's as good, but the goal is similar in that it strives to entertain more than play with one's heartstrings.

Alright, the story is shallow. We never really get a sense of Kelson's duties with Wade except when it comes to being pulled out of weddings to pick out ties. Her absentee boyfriend is barely established. The supporting cast is not well developed, except Robert Klein and Dana Ivey as Lucy's parents. (Klein especially is wonderful.) Alicia Witt is spellbindingly gorgeous as Kelton's would-be replacement, and she plays wonderfully off the main pair, but she's suddenly thrust into the role of the heavy simply for plot convenience, and it's jarring. Too many other secondary roles are like that, too.

The script, by director Marc Lawrence, has its share of lame one-liners, but it keeps a steady, merry tempo that distracts from the film's shortcomings at least somewhat while focusing on its key strengths, Bullock and Grant. Lawrence's direction is similarly solid. I like the little bits of business between Bullock and Grant, like when they pick off each others' plates at Fraunces Tavern, or when she refuses his offer of a sidewalk kebob, calling it a "flesh popsicle." The scene that sticks out most is of her at an outdoor party, wearing a lovely tulle gown and a clown nose. This is one film that makes a serious point of being goofy and glamorous all at once, and it works. If all romantic comedies were so committed to being entertaining, it would be a lot easier for us guys to sit through them.


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