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Cast overview, first billed only: | |||
Anouk Grinberg | ... | Christelle | |
Bernadette Lafont | ... | Mona | |
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Philippe Bas | ... | Lucien |
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Gilles Tschudi | ... | Vladimir |
Jean-Pierre Gos | ... | Robert | |
Christian Gregori | ... | Francis | |
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Nalini Selvadoray | ... | Fanny |
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Thierry Jorand | ... | Max |
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François Berte | ... | Marcel |
Antonio Buíl | ... | Manuel | |
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Frédéric Polier | ... | Babar |
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Ania Temler | ... | Savannah ('Le ranch de l'amour') |
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Pierre Spuhler | ... | Ralph ('Le ranch de l'amour') |
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Bérangère Mastrangelo | ... | Tante Antonella ('Le ranch de l'amour') |
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Daniel Monnard | ... | Burk Kallagan ('Le ranch de l'amour') |
Christelle, has everything to see life in pink - or almost. Hairdresser in a small country town, she is eager to acquire "Belles Buckles", a revolutionary machine, a true miracle of hair technology; small joys make great happiness. One evening, at the end of the roll, returning home, she found her daily session of bruises to the soul and the body. One day too long, seeing red, she decides to flee. Crushing in darkness, she wanders aimlessly until she sees the multicolored sparkles of Galaxy Motel. There she will first meet Mona, earthy mistress of the house, secretly identifying herself with the heroine of her favorite soap-opera, then Vladimir, Polish seducer, representative in articles for women. She will also meet Lucien, a young man whose eyes full of love will surprise her, but also Fanny, still pregnant and her husband's cook and the friendly truck drivers, Robert, Babar, Marcel and Dédé. The little world of Donna Mona, her life, her fun, her humor, will she give her back the ...
An enchanting, amiable film, 'Les Petites Couleurs' flirts with the surreal in order to express the allure of the everyman by flaunting the significance of friendship and the dynamic of relationships. The film tells the simple heart-warming story of coiffeuse Christelle, who assumes an identity after escaping her suppressed existence under husband Francis. Upon arriving at the glitzy Galaxy Motel, Christelle meets Mona, the proprietor and together the two form a charming camaraderie, bonding over their affection for the musical soap opera 'Le ranch de l'amour'. Christelle experiences almost a second adolescence because of this encounter, and vibrancy is added to the pale pastel painting of the protagonist. The film, although predictable is pleasant: it unravels the values of humanity and humility in order to illustrate how adding a little colour to one's life can have an ambitious and positive conclusion.