7.7/10
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The Man Without a Past (2002)

Mies vailla menneisyyttä (original title)
The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or ... See full summary »

Director:

Aki Kaurismäki

Writer:

Aki Kaurismäki

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Nominated for 1 Oscar. Another 21 wins & 24 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Markku Peltola ... M
Kati Outinen ... Irma
Juhani Niemelä Juhani Niemelä ... Nieminen
Kaija Pakarinen Kaija Pakarinen ... Kaisa Nieminen
Sakari Kuosmanen ... Anttila
Annikki Tähti Annikki Tähti ... Manager of Flea Market
Anneli Sauli ... Bar Owner
Elina Salo ... Dock Clerk
Outi Mäenpää ... Bank Clerk
Esko Nikkari Esko Nikkari ... Bank Robber
Pertti Sveholm Pertti Sveholm ... Police Detective
Matti Wuori Matti Wuori ... Layer
Aino Seppo Aino Seppo ... Ex-wife
Janne Hyytiäinen ... Ovaskainen
Antti Reini Antti Reini ... Electrician
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Storyline

The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or anything from his past life, he cannot get a job or an apartment, so he starts living on the outskirts of the city and slowly starts putting his life back on track. Written by Jussi Tarvainen <jussi_tarvainen_84@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Finland | Germany | France

Language:

Finnish

Release Date:

1 March 2002 (Finland) See more »

Also Known As:

The Man Without a Past See more »

Filming Locations:

Verkkosaari, Helsinki, Finland See more »

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Box Office

Budget:

FIM 8,000,000 (estimated)

Opening Weekend:

$22,392 (Finland), 8 November 2002

Opening Weekend USA:

$23,281, 6 April 2003, Limited Release

Gross USA:

$921,547, 21 September 2003
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The second part of Aki Kaurismäki's "Finland" trilogy, following Drifting Clouds (1996). See more »

Goofs

The Helsinki railway station's extension roof is clearly visible at the opening scene, but it hadn't been build yet in 1996 (the year can be read from the newspaper). See more »

Quotes

Nieminen: You've got worker hands. You must have used these hands; you don't look like a reader.
M: Thank you.
Nieminen: You're welcome.
See more »

Connections

Featured in Matka suomalaiseen elokuvaan: Kaupunkiblues (2006) See more »

Soundtracks

Thunder And Lightning (Myrskyn keskellä)
Performed by Marko Haavisto & Poutahaukat
(Marko Haavisto / Vesa Haaja)
Published by Love Music Publishing
(P) & © 2002 Sputnik/Johanna Kustannus
Licensed courtesy of Johanna Kustannus
See more »

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User Reviews

A Fine Movie About Adults
19 July 2004 | by Terrell-4See all my reviews

This Finnish film may not be for everyone. Though nominated in 2002 for an Oscar for best foreign film, I don't think it got much play in the US. It's a quiet movie about a guy who is beaten in a park in Helsinki right after getting off a train. The hospital thinks he's dead, but he staggers out, gradually recovers, and can't remember a thing. He meets a number of people, most of whom help him in some way or another. He meets a Salvation Army woman and a relationship develops.

It's hard to describe this movie. The dialogue is often funny, but delivered absolutely deadpan. There is no excitement, but a rich development of story and relationships through incidents that happen to the lead character or that he causes to happen. The two leads, Markku Peltoa and Kati Outinen, are adults and look it. There's no Hollywood handsomeness about either of them. The structure of the movie is a gem of economy. One scene ends and the film moves briskly on to the next scene. No extended, unnecessary character development. No superfluous dialogue. It may sound pompous, but this movies creates at the end a nice feeling of mature contentment.


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