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The Legend of Marilyn Monroe (1965)

John Huston, who directed Monroe in her first major film and her last completed role, pays tribute to the life and career of the tragic actress.

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1 nomination. See more awards »

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Cast

Complete credited cast:
... Himself
... Herself (archive footage)
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Storyline

A documentary about the life and career of 1950s sex symbol Marilyn Monroe, narrated by director John Huston (who worked with her on "The Misfits"). Included are interviews with friends, cast and crew who worked with her and others who knew her, clips from her films and some scenes that were cut from her earliest movies and not seen for many years. Written by frankfob2@yahoo.com

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Certificate:

Not Rated
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Details

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Release Date:

30 November 1966 (USA)  »

Also Known As:

Marilyn Monroe - Die Geschichte eines Stars  »

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Technical Specs

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

During he montage of photos depicting Marilyn's rise to prominence as a star, there's a still of her with Robert Wagner in what appears to be a studio-arranged publicity date with the young actor, who was also a Fox contractee. See more »

Quotes

John Huston: The world called her Marilyn... as if it knew her well... and perhaps it did. Behind the groteque sex goddess of the Hollywood glamor factory, the public recognized a more human figure... the game loser trying to beat the odds, but the real Marilyn Monroe forever remained shadowy and elusive... even to Marily. Throuout her life she pursued an endless search for a missing person... herself. This is the story of that search... The Legend of Marilyn Monroe.
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Connections

References How to Marry a Millionaire (1953) See more »

Soundtracks

Thanks for the Memory
(uncredited)
Music by Ralph Rainger
Lyrics by Leo Robin
Sung by Marilyn Monroe at JFK birthday
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User Reviews

 
A Little Something Of Worth Here.
15 January 2005 | by See all my reviews

As a specialist in documenting cinematic Hollywood's history, David Wolper produced this item within two years after the death of Marilyn Monroe, shot in black and white stock, shown on television but once and then shelved, with its principal value to cinemaphiles that factor of contemporaneity with the star, focussing largely upon her early years and, in the main, with respect to those elements that propelled her initial success. Monroe, never much of an actress, was instead a totemic figure of her period, a Sex Symbol, and as Lee Strasberg of Actors Studio states during a substantive interview, Marilyn had always a desire to be "an actress more that a star", her intellectual deficiencies notwithstanding; however, her performances disclose that she had not advanced much in her planned direction by the time of her passing. There is a good deal of footage of her earliest films that is cut out, in addition to details of her first marriage to Los Angeles policeman Jim Dougherty, but it is instructive to watch her cavort in SCUDDA HOO! SCUDDA HAY! and even more in LADIES OF THE CHORUS, whereas there is overmuch emphasis upon stills of her activities, with an outcome being less than satisfying. John Huston, quite familiar with Monroe, narrates well, although many of his scripted lines seem unduly grandiloquent, with the film's most telling moments including his mention of third husband Arthur Miller's educating Marilyn in the meaning of "big words"; an obvious dichotomy between her clear delight with entertaining troops in Korea and at the famous John Kennedy birthday party, when compared with her "serious" acting; and the work's highlight: the unintentionally hilarious scope of emotions she attempts to display while "attorney to the stars" Jerry Geisler serves as spokesman during a press conference announcing an estrangement from her second husband, Joe Dimaggio.


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