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The League of Extraordinary Gentlemen (2003)

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1:27 | Trailer
In an alternate Victorian Age world, a group of famous contemporary fantasy, science fiction, and adventure characters team up on a secret mission.

Director:

Stephen Norrington

Writers:

Alan Moore (comic books), Kevin O'Neill (comic books) | 1 more credit »
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Popularity
2,373 ( 154)
12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sean Connery ... Allan Quatermain
Naseeruddin Shah ... Captain Nemo
Peta Wilson ... Mina Harker
Tony Curran ... Rodney Skinner
Stuart Townsend ... Dorian Gray
Shane West ... Tom Sawyer
Jason Flemyng ... Dr. Henry Jekyll / Edward Hyde
Richard Roxburgh ... M
Max Ryan ... Dante
Tom Goodman-Hill ... Sanderson Reed
David Hemmings ... Nigel
Terry O'Neill ... Ishmael
Rudolf Pellar ... Draper
Robert Willox Robert Willox ... Constable Dunning
Robert Orr Robert Orr ... Running Officer
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Storyline

Renowned adventurer Allan Quatermain leads a team of extraordinary figures with legendary powers to battle the technological terror of a madman known as "The Fantom". This "League" comprises seafarer and inventor Captain Nemo, vampire Mina Harker, an invisible man named Rodney Skinner, American Secret Service Agent Tom Sawyer, the ageless and invincible Dorian Gray, and the dangerous split personality of Dr. Jekyll and Mr. Hyde.

Plot Summary | Plot Synopsis

Taglines:

From the Director of Blade See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of fantasy violence, language and innuendo | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany | Czech Republic | UK

Language:

English | German | Italian

Release Date:

11 July 2003 (USA) See more »

Also Known As:

LXG: The League of Extraordinary Gentlemen See more »

Filming Locations:

Hungary See more »

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Box Office

Budget:

$78,000,000 (estimated)

Opening Weekend USA:

$23,075,892, 13 July 2003

Gross USA:

$66,465,204

Cumulative Worldwide Gross:

$179,265,204
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

This is the second of four Alan Moore DC Comic graphic novels to be made into movies. The others being From Hell (2001), V for Vendetta (2005), and Watchmen (2009). See more »

Goofs

When Skinner drinks from his glass of Scotch, the liquid can be clearly seen sliding down into his stomach, implying that all substances that aren't part of his organism will still be visible inside his body. Thus, any food he consumes as well as the resulting feces should be visible at all times; however, Skinner appears to be completely invisible throughout the entire movie. This means his system must have been completely devoid of any consumed goods during his screen time, which is impossible given the amount of time food normally stays inside the human body (up to 18 hours) and the relatively short amount of time that passes between shots of Skinner. A grown man requires reasonable rations of food as well as liquid to power his body, especially someone like Skinner who burns additional calories keeping his often nude body warm at all times. See more »

Quotes

[first lines]
Sanderson Reed: [to coachman] Don't... wander... off.
See more »

Crazy Credits

In the original theatrical release, during the opening credits when Alan Moore's credit first begins to appear on screen, it reads "Based on the COMIC BOOK by Alan Moore" but suddenly changes to "Based on the GRAPHIC NOVEL by Alan Moore". See more »

Alternate Versions

For the Swedish release, approximately 33 seconds were cut from various violent scenes in order to receive an 11 certification. See more »

Connections

Referenced in The Big Box: The Ritz (2009) See more »

Soundtracks

Promenade by the Sea
Score lyrics written by Victoria Seale
See more »

Frequently Asked Questions

See more »

User Reviews

 
Heavens, it wasn't THAT bad!
17 May 2004 | by keenan-1See all my reviews

I've been reading the comments page in a somewhat bemused fashion. It seems to be divided between people who don't like the movie because it's not enough like the original graphic novel and people who don't like it because they've never heard of half of the characters that are members of the League. The latter seems to me to be an unutterably silly reason for disliking a film. Does nobody read the classics anymore? Nobody reads Oscar Wilde, Bram Stoker, Robert Louis Stevenson, Jules Verne, H.G. Wells, or Sir Arthur Conan Doyle? I find that difficult to believe. As to the former--not enough like the graphic novel, in other words--just how in the heck can a screenwriter accommodate the dark and twisted visions of Alan Moore in a two-hour Hollywood movie, anyway?

I don't believe that one can compare anything written by Alan Moore to what ends up on the screen being ostensibly "based on the graphic novel". (The same applies to FROM HELL, which is another one most people pan, and one which I think is under-appreciated even though the style is breathtaking. I don't even want to think about the reaction that will ensue once THE WATCHMEN comes out!)

What seems to have been missed by most people is that this movie is about style as opposed to substance. It's based on a graphic novel. That's a fancy way of saying it's based on a comic book. On that level, the film succeeds admirably. The characters are archetypes of their literary forbears. They aren't supposed to be, strictly speaking, human. Of course the plot is grandiose, impractical, and over-the-top. Hello? Aren't most comic books like that? Good heavens, isn't most of STAR WARS?

I don't claim that this is a masterpiece. I do claim that's it's fun to watch if one approaches it with a willing suspension of disbelief. For a couple of bucks shelled out at the DVD rental shop, it takes one to a different world for close to two hours. On that level, it's worth a rental. It's also worth a rental, once one watches the movie, to listen to the commentary from various actors and to realize just how well these so-called "unknowns" do assorted accents that aren't even close to their own. Plus the golfing anecdotes are amusing. (And I don't even like golfing.)

This ain't CASABLANCA. Nor is it TITANIC, for which I eternally thank the gods. (Now, THERE was an overhyped piece of inaccurate trash that pretended to be history, but I digress.) But it's kind of fun, anyway, as long as one doesn't take it too seriously.


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