IMDb RATING
8.0/10
151K
YOUR RATING
Filmmaker Michael Moore explores the roots of America's predilection for gun violence.Filmmaker Michael Moore explores the roots of America's predilection for gun violence.Filmmaker Michael Moore explores the roots of America's predilection for gun violence.
- Won 1 Oscar
- 39 wins & 13 nominations total
Salvador Allende
- Self - President of Chile
- (archive footage)
Arthur A. Busch
- Self - County Prosecutor: Flint, Michigan
- (as Arthur Busch)
George Bush
- Self
- (archive footage)
George W. Bush
- Self
- (archive footage)
Bill Clinton
- Self
- (archive footage)
Steve Davis
- Self - Deputy Sheriff
- (archive footage)
Ngo Dinh Diem
- Self - President of South Vietnam
- (archive footage)
Joe Farmer
- Self - Superintendent of Schools
- (archive footage)
Barry Glassner
- Self - Author of 'The Culture of Fear'
- (as Prof. Barry Glassner)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I like Michael Moore's documentaries. Bowling for Columbine seems a little successful than Fahrenheit 9/11 for me. The background is the shooting violence affair in Columbia High School. Michael figured it out through different attitude of US citizens about this violence affair. He made issues of guns as the original problem in US violence.
In my personal opinion, this movie revealed that people transit a mood of insecurity. And all these bad things came from guns. Due to the idea throughout seemed to be the inherent evil with guns it was obvious from the questions asked that this isn't really true. Maybe there is a possibility, which shows American gun culture that people have their right and freedom to protect themselves, even they have power to fight against government in order to press somebody powerful. As a Chinese, I think if this gun-allowed policy was used in China, it will be a worse trouble, since Chinese government was controlled by only one party, their policy serviced for themselves, there are a lot of unstable things in society. If people have right to use guns, killing will happen everywhere.
In my personal opinion, this movie revealed that people transit a mood of insecurity. And all these bad things came from guns. Due to the idea throughout seemed to be the inherent evil with guns it was obvious from the questions asked that this isn't really true. Maybe there is a possibility, which shows American gun culture that people have their right and freedom to protect themselves, even they have power to fight against government in order to press somebody powerful. As a Chinese, I think if this gun-allowed policy was used in China, it will be a worse trouble, since Chinese government was controlled by only one party, their policy serviced for themselves, there are a lot of unstable things in society. If people have right to use guns, killing will happen everywhere.
First, Michael Moore is an extraordinary documentarian, making an adventure out of every topic he tackles, rather than a series of talking heads. Bowling for Columbine tackles gun violence in the U.S. with simple, open-ended question: Why the U.S.? What is it about the culture and history as well as access to guns of the United States that makes this country such a dangerous place to live with so many gun deaths compared to all other industrialized countries? His answer is not a simplistic one - it is not simply that we have a 2nd amendment and people misinterpret it as so many anti-gun folks might say. Canadians own about as many firearms and yet they don't have nearly the rate of gun-related deaths. Although many will view this film as anti-gun, I think the film is much more sophisticated than those who feel threatened even by the question "why" understand the film? Moore, in fact, does not come to any hard and fast conclusions, perhaps other than that we in the U.S. live in a culture of fear and there are historical conditions, including racial segregation and economic conditions that we as Americans have not come close to fully addressing. This documentary is a must-see for anyone concerned about the number of gun related deaths and injuries and even for those who believe the 2nd amendment protects a person's right to bear arms, but feels that no "right" is without some reasonable restrictions.
What has become of the United States? Is there any difference from the United States that was formed by Puritans and tried to escape from persecution under the British flag? Has there always been a different mentality for the American than that of any other nationality of individual? After September 11th Michael Moore the director and writer set out to make a documentary that addressed these and other embedded questions that are addressed everyday in our news media, school systems, homes, stores and street corners. Attempting to address all sides of the issues as a person of the media Moore used not only his own experiences, his connection to the NRA, but also other persons opinions that ranged from Charlton Hesston, the well known president of the NRA and famous actor, to the average American that was confronted with the violent acts that resulted from the accessibility of fire arms. This documentary took a new approach to the display of information. Not only was animation used to explain history, American's imbedded fear of their own neighbors, but it also used rock music ( gave a beat or a pulse to the film that progress from slow to fast as the intensity of the issues progressed), sarcasm, interviews, and casual conversations. Moore traveled the country to talk to all those that make up the spectrum of the American society, he traveled to the scenes of some of the more recent American tragedies, made impromptu stops in corporations such as Kmart (where the boys from Columbine bought the ammunition used in the shooting), and traveled to Canada to get an outside or foreign opinion. The idea was to move away from the documentary style of `talking heads'; he wanted a film that would not only touch a chord with the American people but one that would also be readily watched. This idea also made the documentary, that there was too much influence placed on the `words of the professional' or the ` findings of the expert'; that these findings and misleadings flooded the news at night to increase the amount of fear that the average American has as it looked for a scape-goat to blame. The information that Moor presented in his documentary did not technically follow a pre-described narrative, but followed more of a form where the audience was left areas to think and to breakdown the information. Elements of the circular narrative were the foundation of the film, where similar elements in opinions and the common American we continually addressed. Yet, the only problem that could be addressed is one of the ways in which Moore collected some of his data. Some might see a use of trickery or manipulation was used on his part to get the responses and such passion-filled opinions stated. While others would see the same information in the light that no instigation was needed, that people have these strong beliefs, opinions and are willing to talk about them but they lack the examples or understanding of the topic to take a well informed stand on one side or the other. Such a problem is not new in the world of documentaries when controversial data is presented to the public. Moore did a great job of presenting a delicate subject to the American people and was deserving of the Academy Award for the project.
The two high school students made infamous for their rampage at Columbine were rumored to have been at a bowling class at the school the morning of the shooting. It turned out to be urban legend, but Moore kept the catchy title, anyway. There seems to be no in between in regards to the filmmaker. I flat out love his work, all the way back to Roger and Me, and his TV shows, TV Nation and The Awful Truth. Here he takes on the NRA and Charleton Heston, or Moses, as he is best remembered, as he was the chief spokesman for the gun rights organization. As a gun owner, living in a secluded area, even I recognize the need for proper screenings and some restrictions on firearms.
As usual, Moore uses sardonic humor to make his point. At a bank in Colorado, he is given a hunting rifle for purchasing a CD. As he leaves the bank with the weapon, he asks, don't you think it's a little dangerous handing out guns at a bank? The high point is when Moore interviews Heston, asking him about the high level of gun violence, and Chuck answers that the reason is "race mixing" in America. This was seen by some as an ambush; I see it as Moore capturing the actors true feelings, and they are frightening. RIP Charlie boy.
Bowling for Columbine is both informative and entertaining, and Moore is our best documentary filmmaker. Look out, Dittoheads, the truth hurts.
As usual, Moore uses sardonic humor to make his point. At a bank in Colorado, he is given a hunting rifle for purchasing a CD. As he leaves the bank with the weapon, he asks, don't you think it's a little dangerous handing out guns at a bank? The high point is when Moore interviews Heston, asking him about the high level of gun violence, and Chuck answers that the reason is "race mixing" in America. This was seen by some as an ambush; I see it as Moore capturing the actors true feelings, and they are frightening. RIP Charlie boy.
Bowling for Columbine is both informative and entertaining, and Moore is our best documentary filmmaker. Look out, Dittoheads, the truth hurts.
This movie makes me feel that it is the first time i just remotely understand the American society. Michael Moore explores the darkest side of America - the society built on fear. Fear of terrorists, fear of the coloureds fear of your neighbor. It appears that americans have lost perspective, not noticing the real dangers of life: pollution, traffic, e.t.c. With TV-channels telling stories only about violence and terrorism and populistic politicians scaring people to vote for them Americans trust only in themselves.
Michael Moore tries with this movie to make the Americans consider and think for themselves being rationals, and to tell the rest of the world how the American society works. Really something to think about... See it, its necessary
Michael Moore tries with this movie to make the Americans consider and think for themselves being rationals, and to tell the rest of the world how the American society works. Really something to think about... See it, its necessary
Storyline
Did you know
- TriviaBecause the film didn't fit neatly into any established categories at Cannes, the Jury created a special 55th Anniversary Award just for the film.
- GoofsAs Charlton Heston walks away from Michael Moore in the final interview, the scene cuts repeatedly between Heston (point of view from behind Moore) and Moore (point of view from the stairs directly in front of Moore) holding a photo of the slain Flint, Michigan girl and asking Heston to look at it. When the POV is of Moore holding the photo, there is clearly no cameraman anywhere behind him. The same with the POV of Heston, there is clearly no cameraman anywhere in front of Moore. So the two POVs were not filmed simultaneously as the film implies.
- Quotes
Michael Moore: If you were to talk directly to the kids at Columbine or the people in that community, what would you say to them if they were here right now?
Marilyn Manson: I wouldn't say a single word to them. I would listen to what they have to say, and that's what no one did.
- Crazy creditsIn the credits, there is a thank-you to Mike's Militia--Athens Branch. This does not exist; during his speaking engagement at Ohio University to promote his book "Stupid White Men", Michael Moore screened two versions of the "History of gun control" animated segment, which featured the same animation but different narration. The audience was asked to vote on which of the two versions should be included. After choosing a version, Moore claimed he would include Athens, Ohio and the audience in the credits, but wasn't sure what name to give credit to. Several suggestions were shouted out and Mike Michigan Militia, Athens, Ohio branch was finally chosen.
- Alternate versionsIn the theatrical release, a caption was inserted into a 1988 Bush-Quayle ad, "Revolving Doors," which read "Willie Horton released. Then kills again." In the DVD release, the caption reads "Willie Horton released. Then rapes a woman." Neither version makes it clear that the text was not part of the original ad.
- ConnectionsEdited from Peasants' Paradise (1931)
- SoundtracksTake the Skinheads Bowling
(1985)
Written by Victor Krummenacher, David Lowery, Christopher Molla, and
Jonathan Segel
Performed by Teenage Fanclub
Details
- Release date
- Countries of origin
- Language
- Also known as
- Masacre en Columbine
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $21,576,018
- Opening weekend US & Canada
- $209,148
- Oct 13, 2002
- Gross worldwide
- $58,015,923
- Runtime2 hours
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
