Michael Moore's view on what happened to the United States after September 11; and how the Bush Administration allegedly used the tragic event to push forward its agenda for unjust wars in Afghanistan and Iraq.
The United States of America is notorious for its astronomical number of people killed by firearms for a developed nation without a civil war. With his signature sense of angry humor, activist filmmaker Michael Moore sets out to explore the roots of this bloodshed. In doing so, he learns that the conventional answers of easy availability of guns, violent national history, violent entertainment and even poverty are inadequate to explain this violence when other cultures share those same factors without the equivalent carnage. In order to arrive at a possible explanation, Michael Moore takes on a deeper examination of America's culture of fear, bigotry and violence in a nation with widespread gun ownership. Furthermore, he seeks to investigate and confront the powerful elite political and corporate interests fanning this culture for their own unscrupulous gain.Written by
Kenneth Chisholm (firstname.lastname@example.org)
The cashiers at K-Mart are not trained nor are they required by company policy to check the identification and credentials of each customer that buys ammunition. This is because they have stores worldwide and the laws for selling ammunition are different per state, and can change on an annual basis. See more »
During the opening, archive footage is presented that claims the movie is presented by the National Rifle Association (NRA). See more »
In the theatrical release, a caption was inserted into a 1988 Bush-Quayle ad, "Revolving Doors," which read "Willie Horton released. Then kills again." In the DVD release, the caption reads "Willie Horton released. Then rapes a woman." Neither version makes it clear that the text was not part of the original ad. See more »
Michael Moore does this country a great justice with this film. He exposes the crazy, ultra-militant underbelly of American culture without spreading a bunch of liberal-slanted accusations that would taint the message. In fact, he has several conservative moments, including one where he doffs his lifetime NRA membership card before Charlton Heston.
Moore is quick to point out the paranoid American blame cycle that is the stain on our collective carpet. When bad things happen (or might happen) Americans are quick to single out the immediately convenient scapegoat, but are hardpressed to focus the microscope on the bigger picture of our progressively crumbling society. Especially as compares to other European nations and the relatively placid Canada, who are made out to be a paragon of virtue by comparison.
Between this even-handed film and the fact that I was forced to sign my life over to Selective Service to obtain college funding, I have the funny feeling I'll be seeing the better side of the Great Lakes soon. And to add to this joy, Bowling for Columbine gives any rational thinker the fuel to stand up to the most bigoted, indoctrinated, flag-waving apple pie die for your government pigeon.
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