Foyle's War

Foyle's War follows the life of a detective and his team based in Hastings in the south of England during the Second World War.

Although he is obviously called on to investigate crimes, the programme deals with so much more - there is a real feel for what it must have been like to be in Britain when it stood alone against Hitler, when the outcome was not just uncertain, but may well have meant invasion and persecution. The period is therefore much more than a "backdrop". For instance, Foyle's son is in the RAF, and his sergeant was seriously wounded in Norway.

The scripts are intelligent, the plots engrossing and, with casts drawn from the cream of British actors, the performances are impeccable.

These shows do a great job of creating an image of the British Home Front that is very different from the one romanticized in the history books. We get a very real feeling that the British public "knew" the war was lost in the darkest hour, yet still kept a stiff upper lip. This tension, combined with wartime secrecy, energizes the drama. The war is like the weather is in other mysteries; criminals often use it as cover for their activities (blackmarket petrol, draft dodging, burglary, blackmail, and the like hidden by blackouts, bombing raids, and official secrets) and it's the job of the police to uncover all of the layers. In doing so, Chief Inspector Foyle asks hard moral questions - even in wartime, when thousands are being killed every day, is murder murder? The "bigger picture" is often cited as justification by the criminals, and, through association, this paints the leaders of the war with the same brush. A great show for children - this can spark interest in the period while also teaching moral lessons. Unlike some nihilistic modern fare, Foyle's War strives to show moral clarity through the confusion.

This is a good idea for a mystery series and it is done well. Michael Kitchen gets a lot of acting mileage out of a slight tilt of the head or a raised eyebrow. He's definitely the master of delivering lines in a low key manner. All the episodes I saw were well constructed narratives and the WW II era was recreated very well. I hope this series continues on for it seems like the producers are capable of coming up with more intriguing stories. Credit must be given to the parents of Honeysuckle Weeks for not only producing a talented daughter but giving her such a charming name. It's a nice little touch to have her character drive Foyle around as he does not drive a car.

Foyle's War tackles a great many of perceived truths of World War 2 head on, attempting to show a view of wartime Britain in a new light. These are dealt with against the backdrop of a murder which the considered, but burdened detective is called to.

Michael Kitchen is absolutely superb as Christopher Foyle. He plays him with a subtle mix of determination and humanity; each performance is multi-layered, giving the viewer the opportunity to see something new each time. The support cast is also extremely good, with each character given appropriate depth and screen time.

Overall, this is one to get if you like to watch well-crafted, intelligent drama.

The most derogatory remark I've ever heard an intelligent people make about this program is that it drags on a bit, but quite frankly that's only because ITV go and stick 25 minutes of adverts into a otherwise perfect fluid 95minute program. I suppose you could argue that the sheer lack of offended and dishearten viewers is testament to its boring nature, but that quite frankly is nonsense as well. You see the thing about this program is that it soothes you, it's relaxing to watch but doesn't insult your intelligence. I could go on for pages and pages about the acting, writing and attention to period detail but I won't bother because by the looks of it many before me have done so already. The two simple and only facts you really need to know about this program are that Kitchen is an underrated genius and that as detective/murder mysteries go this is, and will remain, a timeless masterpiece.