Centers on 30-year-old Tom Chadwick who, after losing his job and his girlfriend, begins exploring his family heritage after inheriting a mysterious box from a great aunt he never met. ... See full summary »
An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving's loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom's best-loved musicians. There's Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City's Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous.Written by
Sujit R. Varma
In an early-'90s, and again in late 90's/ early 2000's, Spinal Tap tour, Michael McKean, Harry Shearer and Christopher Guest opened for themselves as The Folksmen and were booed during the first act, as people did not know or cared that the two bands had the same musicians. See more »
When Terry and Laurie Bohner are telling the story of how they met, Laurie's arm is alternately around Terry's shoulders/by her side between shots. See more »
And they had no hole in the center of the record.
It would teeter crazily on the little spindle.
No, you had to provide it yourself. They were still good records. Good product.
If you punched a hole in them, you'd have a good time.
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At the end of the film, before the traditional scrolling credits, the screen is filled with all the main actors' names. One at a time, each star's name is highlighted, in alphabetical order. The scrolling credits are in order of appearance. See more »
The third and last installment of Christopher Guest's "mockumentaries," this one centers around three folk-singing groups from the 1960s re-uniting for a concert many years later.
As someone who well remembers most of the folk singers from the '50s and '60s, and was familiar with Guest's other movies, I was anxious to see this. It was okay, but to be honest, I expected more, at least more laughs and a little better pacing. This was just a bit too slow and not as funny as his other films, especially "Best In Show."
There is some great music in here, to be sure, and not lip-synced, either, but most of that isn't heard until the last 30 minutes. Most of the same actors are in this film as in the previous two "mockumentaries," and I always appreciate the comedic talents of Catherine O'Hara and the rest of the crew.
The humor is unique, dry....very dry, and I appreciated it a bit more on the second viewing. The only annoying person, to me, was Eugene Levy's character "Mickey," a spaced-out loser whose act wears thin the more you see of him.
It's not a bad film; just not up to Guest's '"Best Of Show."
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