Neste Mundo (2002)

A refugee family is trying to reach more peaceful lands illegally inside trucks.

Director:

Michael Winterbottom

Writer:

Tony Grisoni

Stars:

Jamal Udin Torabi, Enayatullah, Imran Paracha

Won 1 BAFTA Film Award. Another 6 wins & 8 nominations.

Cast

Cast overview, first billed only:
Jamal Udin Torabi	...	Jamal
Enayatullah	...	Enayat
Imran Paracha	...	Travel Agent (Pakistan)
Hiddayatullah	...	Enayat's Brother (Pakistan)
Jamau	...	Enayat's Father (Pakistan)
Wakeel Khan	...	Enayat's Uncle 1 (Pakistan)
Lal Zarin	...	Enayat's Uncle 2 (Pakistan)
Ahsan Raza	...	Money Changer (Pakistan)
Mirwais Torabi	...	Jamal's Older Brother (Pakistan)
Abdul Ahmad	...	Groom (Pakistan)
Amanullah Torabi	...	Jamal's Younger Brother (Pakistan)
Ramzan Ali	...	Driver 1 (Pakistan)
Chaman Ali	...	Driver 2 (Pakistan)
Rasheed	...	Soldier Shaheen (Pakistan)
Allah Bauhsh	...	Farid (Pakistan)

Storyline

In February 2002 in the Shamshatoo Refugee Camp in the North West Frontier Province in Pakistan, there are 53,000 refugees living in sub-human conditions since 1979 with the Soviet Union invasion and 2001 with the USA bombing and invasion of Afghanistan. The family of the Afghan Enayat and his cousin Jamal decides to send them illegally to London to have a better life. They hire coyotes to smuggle the cousins through Iran and Turkey to Italy and finally London hidden inside trucks and containers. However, the long journey locked in a container with other families poses a terrible challenge to the boys.

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Plot Keywords:

ox slaughter | actual animal killed | watching a gay porn video | death | cobbler the shoemaker | 

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Taglines:

The journey to freedom has no borders.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for brief strong language

Details

Country:

UK

Language:

Pushto Persian English Turkish

Release Date:

18 March 2004 (Portugal)

Also Known As:

Neste Mundo

Filming Locations:

UK

Box Office

Budget:

GBP75,000 (estimated)

Opening Weekend USA:

$24,602, 21 September 2003

Gross USA:

$84,299

Cumulative Worldwide Gross:

$322,097

Company Credits

Production Co:

The Film Consortium, British Broadcasting Corporation (BBC), Film Council

Technical Specs

Runtime:

88 min

Sound Mix:

Dolby Digital

Color:

Black and White (night vision sequence) Color

Aspect Ratio:

1.78 : 1

Did You Know?

Trivia

The film had two working titles before settling on its final name. While it was being shot, it was known as "The Silk Road". This was primarily as a cover, since officials in many countries were told the film was a documentary about that historical subject. Later, it was known as "M1187511", which was the UK Home Office's file number for the real-life Jamal's application for refugee status. Before its release however, the title was changed to "In This World". As Michael Winterbottom describes on the DVD, the title came from a line in the film where Jamal was translated as saying that a central character was dead. Jamal informed Winterbottom, on seeing this, that it was inaccurate. What he had actually said was that the man was "no longer in this world". Hence the film's title.

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Quotes

Jamal: [on phone] This is Jamal, calling from London. Yes... yes, I got to London. Enayat? He's not here. He's not in this world.

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Alternate Versions

The British DVD features a 1.78:1 transfer of the film. Although the film was shot for release in theaters at 2.35:1, because it was made on DV, the total space of the filmed image was 1.78. The film was masked for theatrical release, as the director intended. However, for subsequent showing on BBC and then DVD release, the film was shown open matte. The American DVD, on the other hand, respects the theatrical aspect ratio of 2.35:1.

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Connections

Referenced in Goedemorgen Nederland: Episode dated 16 October 2003 (2003)

User Reviews

A Desperate Journey

At the conclusion, I sat stunned near tears. I am often impressed with films I am viewing but I rarely am left speechless. This film is one of those moments when film history is being written. I assumed all along that this was the telling of a true story because of its documentary style. But it is merely representative of the many such stories that happen every day in this cruel exploitative business of people smuggling.

This film makes it's point without being ponderous or preachy. I felt I was there with these beautiful unfortunate young men on the horrendous journey to escape their life of poverty in a refugee camp. This film maker should be given some type of international award for his courage in making this film about this subject matter. I never felt more appreciative of my apartment than I did last night when I got home.

Highly Recommended. 10 points.