El otro Cristóbal (1963)
- Summaries (1)
The dictator Anastasio rules with an iron fist backed by business-men making deals and speeches about building canals, completely disconnected from the chaos amongst the population. Anastasio is rumored to have died after an incident with a mirror and a violent confrontation after literally crowing as a cock amongst his chicken followers. The afterlife is shown as a casino where Anastasio strong-arms his way into heaven. Divination is used to find the next dictator, and a sailor and his black, peasant sidekick find themselves attempting to start a revolution with an organ, dragging it through the countryside, as the movie explores the country, culture and music. They attempt to trade with a flattened poster of a traditional family woman as well as a younger shrew, and encounter innocence in the form of a virgin. The war escalates into mythical proportions between heaven and hell in astonishing surreal sets involving dinosaur bones, stagy cages, huge pinball games and a bullfighting show, as well as rich countryside shots of a peasant uprising. Bombs fall from heaven and storms are brought about by a dictator in a bull costume using a fire-hose. An inexplicably obscure, surreal French-Cuban production on the Cuban revolution that predates Jodorowsky with its delirious and bizarre visuals. Filmed by Armand Gatti, a playwright with ties to Monaco and France who worked with Chris Marker and was imprisoned in a camp during WWII for anti-fascist activities. This is a satire with free-form surrealism, symbolism and absurdities.
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