Death is stalking Kimberly Corman and multiple survivors of a deadly highway accident.Death is stalking Kimberly Corman and multiple survivors of a deadly highway accident.Death is stalking Kimberly Corman and multiple survivors of a deadly highway accident.
- Awards
- 4 nominations total
- Eugene Dix
- (as T.C. Carson)
- Dano
- (as Alex Rae)
Summary
Featured reviews
This sequel displays suspense, tension, thrills, and creepy death. The chief excitement lies in seeing what new and astonishing victim can be dreamt by the believable FX technicians. Movie exist for only aim of murdering its protagonists and all around in terrifying realistic detail . Death seem to dispatch new weird killing every few minutes of movie, throughout car crashing, beheading, blowing up, glass crushing, fire, etc. It's frightening entertaining though predictable but we have seen the original with similar and interesting premise. Although its predictability is redeemed in part by the charismatic acting of protagonists and all around. The motion picture is well directed by David R Ellis. He has a long career as stunts coordinator, assistant director and finally filmmaker, directing Box office success such as ¨Cellular and Snakes on plane¨. Followed by a second sequel.
This time around, a group of travellers narrowly avoid being involved in a spectacular freeway pile-up thanks to an eerie premonition experienced by driver Kimberly Corman (A.J. Cook) as she waits on the on-ramp. Feeling cheated once again, Death alters his grand design to try and claim the lives of those who escaped his clutches. As the survivors of the accident begin to die in the order witnessed in her vision, Kimberley realises what is happening, and tracks down the sole survivor of flight 180, Clear Rivers (Ali Larter), for help.
Despite working with material that rarely explores new territory, director David R. Ellis directs with gusto: his freeway pile-up is an absolutely jaw-dropping piece of cinema—a brutal, bloody and disturbing set-piece—and the subsequent death scenes are masterfully orchestrated pieces of mayhem that tease the audience with several possible bloody conclusions, before delivering their always impressive pay-off (gory fatalities are caused by a falling ladder, a sheet of glass, a faulty elevator, an air-bag, a flying wire fence, and a barbecue!!!).
In amongst the graphic bloodletting, Ellis also finds time to throw in some very nice visual touches (such as the tree shadows which resemble clutching skeletal hands) and lots of delightfully dark humour (gotta love that final shot!). A thoroughly entertaining piece of OTT popcorn horror, Final Destination 2 gets a very respectable 7.5 out of 10, rounded up to 8 for IMDb.
This is probably only the second film in which I have seen A.J. Cook (JJ from "Criminal Minds") and Ali Larter ("Heroes"), but they did a credible job in a film where the story was far more important than the individual characters, none of whom rose to any significance. In fact. most were probably former WB stars. The only one I remember with any interest was Odessa Munroe.
But the story and the special effects and the gore and, certainly, the suspense, made this film worth watching and peaked my interest in the prequel and the sequel, although not having seen the first one does not take anything away from this one.
Check it out.
Following the success of the first Final Destination, then New Line Cinema President Toby Emmerich approached Jeffrey Reddick to commission a sequel which Reddick agreed to do. Reddick stated his intent with this entry was to "expand the mythology" in order to avoid telling the same story over again. Previous film's director and writers James Wong and Glen Morgan were unavailable as they were busy with their respective projects of Jet Li's The One and the Willard remake respectively. The film instead was helmed by David R. Ellis whose prior directing credit was Homeward Bound II in 1996 and had more frequently worked as a second unit director and stunt coordinator with writers Eric Bress and J. Mackye Gruber coming on board as co-writers. Upon release, the movie had a respectable opening weekend of $16 million at number 2 opening behind The Recruit and eventually made back $90 million worldwide against its $26 million budget, a slight step down from the original's $110 million haul but still profitable. Critical reception while still mixed was somewhat improved from the first one with some like Roger Ebert who gave the original three stars only gave one and a half to the sequel. While Final Destination is fairly similar to the first movie in terms of setup with a formula pretty settled at this point, it is well made and delivers and what you expect and it does continue on from the first film.
Unlike the first film whose cast of teen archetypes were very much molded by the late 90s framework of post-Screamsploitation that defined a number of horror films in terms of marketing and writing, the characters in Final Destination 2 are slightly more likable and less grating than they were in the first film, even ones who are supposed to be kind of abrasive have some redeeming moments. A. J. Cook is no surprise here a solid lead especially for anyone who's seen her work on Criminal Minds, and I also enjoyed Michael Landes as Burke and Ali Larter's reprise of the character Clear Rivers. Tony Todd also returns as the Mortician (credited as Mr. Bludworth) and much like the first film his creepy commanding presence is welcome and is probably the closest thing we have to the personification of an antagonist. The story is still pretty thin as it is mostly a lose chain of accidental deaths that follow some kind of path, but it does try to add new elements to avoid falling into a repeat such as the characters seeking a way to beat Death's plan by way of "new life" and while it's not 100% successful at avoiding sequel pitfalls it works well enough and the fact that the film has a relatively closed ending (albeit one with a very mean spirited joke) makes Final Destination 2 feel more like the closing half of a two parter rather than something overtly cynical as you've seen with some sequels.
If you liked Final Destination, odds are you'll probably like Final Destination 2. It doesn't stretch too far from what was established and there is some sense of "deja view" as is the case with most sequels, but there are attempts at doing things differently from how they were done the last time and the ending that eschews sequel baiting was rather refreshing so take that for what it's worth.
Did you know
- TriviaReal logs were tested for the crash sequence, but they "didn't bounce enough", therefore, the logs are CGI in this film.
- Goofs(at around 13 mins) After Kimberly has her first premonition (the highway), she parks her SUV across the on-ramp to block it. Yet, when her SUV gets hit by the truck, it has moved to being parked pointing onto the highway, and quite a ways out into traffic to have been hit so squarely by a passing truck.
- Quotes
Kimberly Corman: Look, please... if you know of anything that could help us, what harm could it do?
William Bludworth: Only new life can defeat Death.
Burke: What the hell does that mean?
William Bludworth: Some people say there's a balance to everything. For every life there's a death, for every death, there is a life. But the introduction of life that was not meant to be, that can invalidate the list, force Death to start anew. You have to follow the signs, Kimberly.
Kimberly Corman: How do you know my name?
- Alternate versionsThe Sci-Fi version is heavily edited; several deaths are shortened or removed:
- When Officer Burke's car gets hit by the log, the scene where his head gets crushed is removed.
- Eugene's death has no blood.
- The ladder impaling Evan's eye isn't shown.
- Tim's death is not shown.
- Nora's death is not shown.
- Viewers only get to see Rory's face when he is trisected.
- Kat's death is not shown.
- ConnectionsFeatured in Bits and Pieces: Bringing Death to Life (2003)
- SoundtracksDance With Me
Written by The Sounds
Performed by The Sounds
Courtesy of Scratchie Records / New Line Productions, Inc.
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Destino final 2
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $26,000,000 (estimated)
- Gross US & Canada
- $46,961,214
- Opening weekend US & Canada
- $16,200,000
- Feb 2, 2003
- Gross worldwide
- $90,941,129
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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