6.3/10
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304 user 144 critic

Down with Love (2003)

PG-13 | | Comedy, Romance | 16 May 2003 (USA)
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In 1962 New York City, love blossoms between a playboy journalist and a feminist advice author.

Director:

Peyton Reed
4 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Renée Zellweger ... Barbara Novak
Ewan McGregor ... Catcher Block
Sarah Paulson ... Vikki Hiller
David Hyde Pierce ... Peter MacMannus
Rachel Dratch ... Gladys
Jack Plotnick ... Maurice
Tony Randall ... Theodore Banner
John Aylward ... E.G.
Warren Munson ... C.B.
Matt Ross ... J.B.
Michael Ensign ... J.R.
Timothy Omundson ... R.J.
Jeri Ryan ... Gwendolyn
Ivana Milicevic ... Yvette
Melissa George ... Elkie
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Storyline

An homage to the early 1960s sex comedies that starred Rock Hudson and Doris Day. The story follows a best-selling female advice author who has all the answers until a sly journalist playboy starts asking the questions. Written by Natalie Knowles <NatSplat007@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The ultimate catch has met his match.

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual humor and dialogue | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Soundtrack Site

Country:

USA | Germany

Language:

English

Release Date:

16 May 2003 (USA) See more »

Also Known As:

Abajo el amor See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$45,029, 11 May 2003, Limited Release

Gross USA:

$20,298,207, 27 July 2003

Cumulative Worldwide Gross:

$14,000,000, 6 November 2003
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Peyton Reed cites the popular auctioning website eBay as a good source for finding period costumes and props to use in the film. See more »

Goofs

Vikki tells Barbara that Judy Garland was a last-minute replacement for Soeur Sourire (aka "The Singing Nun") on The The Ed Sullivan Show. The Singing Nun was an unknown in 1962, and did not appear on "Ed Sullivan" until 1964; Garland first appeared in 1966. See more »

Quotes

[first lines]
Narrator: The place: New York City. The time: Now, 1962. And there's no time or place like it. If you've got a dream, this is the place to make that dream come true. That's why the soaring population of hopeful dreamers has just reached eight million people. Oh! Make that eight million and one.
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Crazy Credits

The ending credits include an extra scene with Renee & Ewan singing a duet and one with David Hyde Pierce and Sarah Paulson. See more »

Alternate Versions

The TV version distributed in the UK excludes most of the split-screen phone call, presumably for time and due to the potential interpretation of the cinematography. See more »

Connections

Edited from That Touch of Mink (1962) See more »

Soundtracks

Wedding Tarantella
Traditional
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User Reviews

"Pillow Talk" was a hundred times more sophisticated than this!
18 May 2003 | by ljp-2See all my reviews

"Down with Love,' as everyone has heard by this time, is an attempt to recreate the time period, look and feel of the 1959 Doris Day-Rock Hudson comedy `Pillow Talk' and other 50's-60's romantic comedies like it. But I have a feeling that the screenwriters, Eve Ahlert and Dennis Drake, never actually saw the original, which was a hundred times smarter, funnier and more sophisticated than their uninspired efforts to lampoon it.

As the script would have it, women were still unenlightened when Barbara Novak comes to New York to promote her new book `Down with Love,' arguing for sexual equality in the bedroom as well as the boardroom. She catches the attention of playboy journalist Catcher Block, who sets out to prove that she's a fake and really only desires romance and marriage, like all women. Renee Zellweger, with her adorably scrinched-up face and perpetual pout, is Barbara, and Ewan McGregor, while a bit scrawny for the Rock Hudson part, is suave and charming as Catcher. They are supported by the always funny David Hyde Pierce as Catcher's editor, in the fussy-neurotic Tony Randall part (of course!) and Sarah Paulson as Barbara's friend and editor. They are great, and so is the candy-colored decor and the kicky 60's clothes, but the film is a dud, because it never decides what attitude to take toward the material-or even what era it's mocking.

While much of the film's plot derives from 1959's `Pillow Talk,' the plot device of Barbara's proto-feminist book is very similar to the 1964 comedy with Natalie Wood, `Sex and the Single Girl.' (Neatly splitting the time difference, `Down with Love' is set in 1962). The country certainly traveled a long way between 1959 and 1964. The film seems to raises the question: which will come off better, 1959 female `repression' or 1964-and-later `liberation?' As for what the screenwriters think, I have no idea. Their premise is a muddle and the script never elucidates it.

But just between us, I think 1959 actually comes off better. The characters Doris played would have utterly disdained Barbara's ideas about women being as promiscuous as some men. She was self-confident enough as a woman to know she didn't need to imitate men (and the worst of men at that). And as for getting ahead in the workplace. . .well, Doris didn't need any advice on how to become an independent career woman. She just was one. Today's filmmakers don't seem to understand the era at all; it was more advanced than they think.

This movie makes even more painfully obvious something I've come to feel more and more lately: that `political correctness,' is one of the greatest enemies of modern movie storytelling. Trying to be self-consciously `retro' while remaining completely ignorant of the past makes it even worse! In addition, the writers seem to be knocking themselves out to play it safe; they make sure we know that they know that feminism is good. . . `only not too much; that women are of course, to be free to have sex promiscuously like men; but in the end, they really prefer romance. We're for the sexual revolution, but for marriage too, you understand; we don't want to offend anyone. Please, please, like us. . .' As a result, the story, while going through the paces, has nowhere to go. Barbara and Catcher seem to be nervously working out a political position paper rather than engaging in a romance. By the end, after a plot twist or two that reverses everything you've previously thought about the characters, you just don't care.

Nor is this movie in any way as witty and sophisticated as the original. The sex gags are obvious and labored. You may remember that in the most memorable scene in `Pillow Talk,' Doris and Rock, in their separate bathtubs in a split-screen shot, appeared to be playfully touching bare toes as they talked on the phone. `Down with Love' tries to replicate this with modern explicitness, having the characters mime various kinky sexual positions -- and it just doesn't work. The earlier scene was sweet -- and sizzling. The modern one is just silly and smutty. Of course, they had to be sure that today's Austin-Powers-watching kids would get it. For some reason, the writers think they are striking a blow for `real' sexiness on screen, as opposed to the `quaint' and chaste original. Ah, but real sexiness lies in the art of suggestion -- and true sophistication is trusting your audience to get the joke without thinking you have to whack them over the head with it.

Few screen pairings were ever as funny and sexy as Doris Day and Rock Hudson, and you really couldn't expect that here, with the script working totally against the performers. Ewan and Renee did offer a few sweet moments. Their song and dance over the closing credits was also terrific. It's a pity, because they are both such delightful performers. They deserved a lot better-and so did we.


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