Lost in La Mancha (2002)
- Summaries (3)
Director Terry Gilliam is the latest filmmaker to try and bring Miguel de Cervantes y Saavedra's "Don Quixote de la Mancha" to the big screen, the movie to be called The Man Who Killed Don Quixote. Before filming even begins, Gilliam, who has moved from Hollywood studio to European financing, will have to scale back his vision as his budget has been slashed from $40 million to $32 million, still astronomical by European standards. But Gilliam is a dreamer, much like his title character, and his vision for the movie is uncompromising, meaning with the reduced budget that there is no margin for error and that some of his department heads may have to achieve miracles with their allotted moneys. During pre-production and actual filming, what Gilliam does not foresee is contractual and health issues with his actors, and the effects of Mother Nature. The question is does Gilliam have a Plan B if/when things go wrong.
In August 2000, master filmmaker Terry Gilliam finally got his opportunity to create his dream film he labored for a decade, The Man Who Killed Don Quixote. Assembling his film crew, he prepares his production in what promises to be the biggest budgeted feature film using only European financing, although it is meager compared to Hollywood standards. However for all his creativity and enthusiasm, the film is immediately plagued with an improbable series of disasters ranging from scheduling conflicts, budget cuts, studio and location problems and worse that threaten to doom the film.
It looks like we don't have a Synopsis for this title yet.
Be the first to contribute! Just click the "Edit page" button at the bottom of the page or learn more in the Synopsis submission guide.