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During the Second American Civil War in 2017, Barb Wire owns a nightclub called the Hammerhead. Things become complicated when her ex-lover Axel Hood, who is married to the fugitive Corrina Devonshire, re-enters her life.
When a teenager, Chun-Li witnesses the kidnapping of her father by wealthy crime lord M. Bison. When she grows up, she goes into a quest for vengeance and becomes the famous crime-fighter of the Street Fighter universe.
Michael Clarke Duncan
Jonathan Ecks, an FBI agent, realizes that he must join with his lifelong enemy, Agent Sever, a rogue DIA agent with whom he is in mortal combat, in order to defeat a common enemy. That enemy has developed a "micro-device" that can be injected into victims in order to kill them at will.Written by
Director Kaos would later make another film that had to be reedited for producers, this time under his own free will, thirteen years later with the film Zero Tolerance (2015). See more »
Twice during the film, Ecks is knocked flat and props himself up by pressing the barrel of his gun into the ground. That's very poor weapons handling, and any debris in the barrel could cause the gun to malfunction. See more »
Good evening Mrs. Gant.
What does my husband want now?
The plan has changed. He is now available to spend time with Michael.
See more »
Performed by Darude
Composed by Darude (as Ville Virtanen) and Toni Lahde.
Arranged by Darude (as Ville Virtanen) and Jaakko Salovaara
Published by BMG Music Finland.
Courtesy of Strictly Rhythm Records LLC., Neo Records Ltd. and 16 Inch Records/ Stargate Music OY See more »
`Ballistic: Ecks vs. Sever' has been saddled with not only one of the worst movie titles in recent memory, but one of the worst screenplays as well. The film's third-rate espionage plot makes no sense at all and serves basically as a lame excuse for endless explosions, shootouts and double-flipping car chases, which have become the standard accoutrements for virtually every action picture since `Bullitt' in 1968.
The problem with `Ballistic' is that the viewer can never tell who is doing what to whom or why and we never care. The film is really all about style anyway. How else to account for the rather ludicrous image of Lucy Liu - looking more like a fashion model out on a shoot than a trained killer doing the shooting herself - strolling in elegant slow motion through the streets of Vancouver, wiping out what seems to be an entire hit squad with a combination of superhuman marksmanship and Matrix-like kickboxing moves? With her ankle-length designer coat and her icy-cool demeanor, she looks like Calvin Klein's idea of what the well-dressed assassin should be wearing this season. It's enough to reduce the whole enterprise to the level of comic absurdity and, indeed, I often found myself laughing out loud at many of the ostensibly serious shenanigans occurring in the film. The flashbacks, which are obviously intended to clarify the characters' relationships, are so poorly done that they actually end up making the whole story more muddled and confusing. (And, although the child-kidnapping scenario is never as offensive in this film as it is in `Trapped,' one can still question the propriety of filmmakers running to this theme with the kind of frequency they seem to have been doing of late).
Antonio Banderas makes up the other half of the film's title (he is Ecks, she Sever), and one only wonders what he could have been thinking about when he signed on to co-star in this particular project. `Ballistic' is utterly dispensable moviemaking: here today, forgotten tomorrow, a film utterly without distinction, conviction or purpose.
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