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25th Hour (2002)

R | | Drama | 10 January 2003 (USA)
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2:34 | Trailer

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Cornered by the DEA, convicted New York drug dealer Montgomery Brogan reevaluates his life in the 24 remaining hours before facing a seven-year jail term.

Director:

Spike Lee

Writers:

David Benioff (novel), David Benioff (screenplay)
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Popularity
2,138 ( 714)
Nominated for 1 Golden Globe. Another 4 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Edward Norton ... Monty Brogan
Philip Seymour Hoffman ... Jacob Elinsky
Barry Pepper ... Frank Slaughtery
Rosario Dawson ... Naturelle Riviera
Anna Paquin ... Mary D'Annunzio
Brian Cox ... James Brogan
Tony Siragusa Tony Siragusa ... Kostya Novotny
Levani ... Uncle Nikolai
Tony Devon ... Agent Allen
Misha Kuznetsov ... Senka Valghobek
Isiah Whitlock Jr. ... Agent Flood
Michael Genet Michael Genet ... Agent Cunningham
Patrice O'Neal ... Khari
Al Palagonia Al Palagonia ... Salvatore Dominick
Aaron Stanford ... Marcuse
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Storyline

The 25th Hour depicts the last day of freedom for a young man before he begins serving a seven-year jail term for drug dealing. Prowling through the city until dawn with his two close male friends and his girlfriend, he is forced to re-examine his life and how he got himself into his predicament, which leads to a shocking, disturbing finale. Written by Justin Harris <jharris316@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

This life was so close to never happening See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong language and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

10 January 2003 (USA) See more »

Also Known As:

The 25th Hour See more »

Filming Locations:

Granger, Texas, USA See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$108,865, 22 December 2002, Limited Release

Gross USA:

$13,060,843, 6 April 2003
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (TV)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Spike Lee: [basketball] Both Monty and Naturelle played high school basketball; another scene depicts a playground game. Also, Frank is reminded by his boss that they have courtside seats for an upcoming game. See more »

Goofs

In the scene with Nikolai, you hear Nikolai rack the slide, but the hammer is not back in the next shot. The camera then looks away (at Monty) and then back at Nikolai, and you can clearly see the slide is locked back and the gun is out of battery. See more »

Quotes

[first lines]
Monty Brogan: Look at this. He's alive.
Kostya Novotny: This dog, how you call it? Bull pit?
Monty Brogan: No, Pit-Bull. But that's not a pit bull. I don't know, I don't know what he is. I bet he lost somebody some money though. Give me your gun.
Kostya Novotny: Shooting him?
Monty Brogan: Yeah.
See more »

Crazy Credits

Special Thanks ... Bruce "Da Boss" Springsteen See more »

Connections

References A Place in the Sun (1951) See more »

Soundtracks

The Message
Written by Patrick Patterson and Steve Scipio
Performed by Cymande
Courtesy of Janus Records Inc.
By Arrangement with Celebrity Licensing Inc.
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Frequently Asked Questions

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User Reviews

 
A Haunting Dose of Reality
16 July 2003 | by vanghensynSee all my reviews

Having seen Spike Lee's "25th Hour", I must say I was pleased. Lee's plot is both involving and heartfelt, showing the essence of reality. His script is fresh, yet somewhat slow in spots. His characters shine, however, in a truly believeable tale of consequence. Edward Norton, in another masterful performance, shows an almost frightening level of genuine human emotion as the protagonist Montgomery Brogan. The supporting cast consisting of Philip Seymour Hoffman, Barry Pepper, and veteran Brian Cox provide a solid foundation that allows Lee's story to flow freely. While most would consider this tale a literal one, take note: It is quite apparent, through subtlety and the rather obvious "restroom mirror scene" that Spike Lee has a message he wants to get across. What I think makes "25th Hour" so appealing on a theoretical level is the fact that his message is surprisingly open-ended; allowing the individual viewer to decide what he or she wants to retain from the film. This is a genuine film experience; a haunting dose of reality.


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