The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise ...
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Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him ... See full summary »
Raymond J. Barry,
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise of fascism. Packed with stylistic flourishes, it's a dense, comic study of 20th century history, revolving around the contents of one man's suitcases. Written by
This film is the nth Wonder of the World. It's just so unashamedly full of details, pictures in pictures, special effects, not so special effects, special and unspecial characters, kids, lists of lists, colors, sets, music that puts other, more franchise-y trilogies such as Matrix and Lord of the Rings to shame, plot, plot, plot, perspectives and fiery dialogue about America, Europe, war, sex, friendship, family, torture, dentistry,... It's nominally about stuff like imprisonment and 20th century history, but it's really all about the limits of film and the artist's ability to satirize his own extremism. And the tracking-shots are just stupid, in a good way. And it's completely insane. And so funny I was shaking and bit my chewing gum in half. It never stops. I think P.G. ran out of money --- the sequel wasn't too great --- which is a shame, he's been planning this for years. Anyway, I believe I enjoyed this film. And hey: I love Ferris Bueller's Day Off and Braveheart too.
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