The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise ...
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Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him ... See full summary »
Raymond J. Barry,
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise of fascism. Packed with stylistic flourishes, it's a dense, comic study of 20th century history, revolving around the contents of one man's suitcases.Written by
I saw this movie at the Toronto Film Festival and it was incredible. It's a story of a man and his prisons and adventures. It's also about the twentieth century. The story is difficult to describe and hard to get your mind around but it is definitely there. I don't see this movie as form for form's sake or as pretentious dribble. Instead I understand it as a completely experimental and inventive form of story-telling. For me it was completely successful. The editing is insane. No doubt about it. The screen splits into hundred, images and sounds are repeated, sometimes endlessly. I do understand why some people despise this film. I just found myself as lost in its rhythm.
Tulse is an adventurer, a traveller and a dreamer. His dreams usually manage to anger those around him enough that he is oft imprisoned. But for him the world is full of prisons and part of his exploration is an attempt to understand them. The repetitive and maddening editing is, I think, the director's way of imprisoning the viewer in the world of Tulse's dreams. We aren't giving the usual linearity of Classic Hollywood editing and story. Instead we are locked in circles and spirals. The movie ends beautiful repeated image that haunts me to this day and it has left me eager for more but I have no idea how to get my fix (beyond the website TulseLuperNetwork.com which is only so so). Me and the person I went with loved the movie but I think about two thirds of the theater were pretty disappointed and a lot of them were Greenaway fans. Still give it a try and see if it connects with you
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