The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise ...
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Tulse Luper is a 20th century everyman whose collection of 92 suitcases intersects with every person, event and movement in history. Here in the second of a three part story, we find him ... See full summary »
Raymond J. Barry,
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such ... See full summary »
The first of three parts, we follow Tulse Luper in three distinct episodes: as a child during the first World War, as an explorer in Mormon Utah, and as a writer in Belgium during the rise of fascism. Packed with stylistic flourishes, it's a dense, comic study of 20th century history, revolving around the contents of one man's suitcases.Written by
I watched this several months ago at a local film festival, and to be honest it was not an enjoyable experience. To put it simply the film appears to be a giant experiment in multimedia, the type of thing a film studies phd student might envisage as being worthwhile. If you are fully aware of this before you watch the first film then you may possibly appreciate the work done, if you are looking for something enjoyable then I suggest you look elsewhere. The film oosed pretension, as if the mere act of experimentation could make up for a worthwhile film. If you are the type of watcher who enjoys say special affects rather than plot, or action rather than competent script work then this may be for you.
This is the first film that I have watched at a film festival in about ten years that I can honestly say the vast majority of the audience left the theatre in a state of bemused disgust. It was one of the least enjoyable film experiences I have ever had, right up there with Salo, and UFO: The Movie. Maybe if viewed in sequence with the other parts of the production it might have some worth, but i doubt it. At best it may serve as an educational tool to the many film schools out there...
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