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Leaning into the Wind follows artist Andy Goldsworthy on his exploration of the world and himself through ephemeral and permanent workings on the landscape, cities and with his own body.
In 1943, the year in which the first A-bomb was built, Albert Hofmann discovered LSD, a substance that was to become an A-bomb of the mind. Fractions of a milligram are enough to turn our ... See full summary »
Director:
Martin Witz
Stars:
Trevor J. Roling,
Hanspeter Müller,
Mario Scarabelli
Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.
Director:
Celina Murga
Stars:
Camila Toker,
Ignacio Uslenghi,
Juan Cruz Díaz la Barba
A mysteriously linked pair of young women find their daily lives preempted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.
A careless art student is kicked out of school because of poor attendance and lack of interest. His friend gets a job to manage a restaurant. They bet over who will be first to "process" the waitress.
At Zabriskie Point, United States' lowest point, two perfect strangers meet; an undergraduate dreamer and a young hippie student who start off an unrestrained romance, making love on the dusty terrain.
This German documentary, in English, is about a Scottish environmental sculptor named Andy Goldsworthy. He makes art from objects he finds in nature. For example, early in the film we see him taking sections of icicles and "gluing" them together with a little moisture into a serpentine shape that seems to repeatedly go through a vertical rock.
Of course, the icicles melt, but that transience is a part of most of Goldsworthy's work. He goes to a site and gets a feeling for it, deciding intuitively what to make that day. He talks of having a "dialog" with the rocks and other materials that he works with, attempting to work *with* rather than against them. It might be stones, or flowers, or leaves, or sticks. The sculpture might last for minutes or years, or might not even last long enough to be completed and photographed. The work seems to be more of a process than a goal.
The film, and the work, is beautiful, inspiring, and thought provoking. It moves pretty slowly, which is appropriate for the material, but you should be sure to go when you have had a good night's sleep. But do go if you have the opportunity.
Search the web for some other pages about Andy Goldsworthy or to read about his local sculpture at Stanford University. There are also several books available with photographs of his sculptures.
My thoughts: Skip reading this part if you want to find what this film means to you completely independently. I recall a couple of ideas that occurred to me while watching the film which I thought I would share for those of you still reading. First, the transitory nature of much of Andy Goldsworthy's work reminded me of the natural ebb and flow of human life. We're born, we live, and eventually we die. That's natural, and that's also naturally a part of Goldsworthy's art.
The other thought was to be awestruck with the way that Goldsworthy has managed to integrate his passion and his work so thoroughly into his life. Most of us have work which is tolerated at best, a life which we hardly notice living, and passions which we really mean to spend more time on, if we even remember what they are. Andy Goldsworthy has managed to create an amalgam of all of these aspects of his life that looks like it works very well, and is nourishing for him and those around him. Wow.
Seen on 8/28/2002.
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This German documentary, in English, is about a Scottish environmental sculptor named Andy Goldsworthy. He makes art from objects he finds in nature. For example, early in the film we see him taking sections of icicles and "gluing" them together with a little moisture into a serpentine shape that seems to repeatedly go through a vertical rock.
Of course, the icicles melt, but that transience is a part of most of Goldsworthy's work. He goes to a site and gets a feeling for it, deciding intuitively what to make that day. He talks of having a "dialog" with the rocks and other materials that he works with, attempting to work *with* rather than against them. It might be stones, or flowers, or leaves, or sticks. The sculpture might last for minutes or years, or might not even last long enough to be completed and photographed. The work seems to be more of a process than a goal.
The film, and the work, is beautiful, inspiring, and thought provoking. It moves pretty slowly, which is appropriate for the material, but you should be sure to go when you have had a good night's sleep. But do go if you have the opportunity.
Search the web for some other pages about Andy Goldsworthy or to read about his local sculpture at Stanford University. There are also several books available with photographs of his sculptures.
My thoughts: Skip reading this part if you want to find what this film means to you completely independently. I recall a couple of ideas that occurred to me while watching the film which I thought I would share for those of you still reading. First, the transitory nature of much of Andy Goldsworthy's work reminded me of the natural ebb and flow of human life. We're born, we live, and eventually we die. That's natural, and that's also naturally a part of Goldsworthy's art.
The other thought was to be awestruck with the way that Goldsworthy has managed to integrate his passion and his work so thoroughly into his life. Most of us have work which is tolerated at best, a life which we hardly notice living, and passions which we really mean to spend more time on, if we even remember what they are. Andy Goldsworthy has managed to create an amalgam of all of these aspects of his life that looks like it works very well, and is nourishing for him and those around him. Wow.
Seen on 8/28/2002.