The wire begins to yield information about the Barksdale organization. Stringer and Avon reminisce on how far they have come. McNulty finds the way to a key piece of the puzzle in an unlikely place. ...
In the Season Four finale, the bodies from the vacants pile up while Burrell offers his support to Daniels and admonishes Rawls for crossing him. A distraught Bubbles finds himself at his wit's end ...
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians.Written by
Felicia Pearson was discovered by Michael Kenneth Williams at a Baltimore club. He invited her to come to the set one day and he introduced her to the writers and the producers, and after subsequent auditions, she was offered a role in the series. See more »
Tommy Carcetti (actor Aidan Gillen) Baltimore "accent" either sounds like a garbled accent or like his true accent which is that of his native Ireland. See more »
All in the game yo, all in the game.
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In every episode, after the opening credits a quote appears on the screen that will be spoken by a character in that episode. See more »
This isn't just a show about crime - this tries to show every aspect of life in a crumbling society
Along with TV-shows like 'Oz', 'Deadwood', 'The Sopranos' and 'Six Feet Under', David Simon's 'The Wire' was part of a revolution - qualitywise - in television. Although it is very entertaining, this isn't just entertainment; this is art, pure and simple - and the concept of this show was groundbreaking. On the surface, one might think this is a show about crime, but really, 'The Wire' is about the life and soul of a whole city. Every aspect of the city of Baltimore gets its share of screen time, and the way this is done - the writing, the direction, the amazing performances by the terrific cast; the music, the camera work, the realism... I could go on and on - is just outstanding. On par with 'Generation Kill' (no wonder, since the same creative team was behind both), this is as good as television gets.