The wire begins to yield information about the Barksdale organization. Stringer and Avon reminisce on how far they have come. McNulty finds the way to a key piece of the puzzle in an unlikely place. ...
In the Season Four finale, the bodies from the vacants pile up while Burrell offers his support to Daniels and admonishes Rawls for crossing him. A distraught Bubbles finds himself at his wit's end ...
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det. James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs. The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug "food chain", from junkies to dealers, and from cops to politicians.Written by
This is not just a TV series about cops and drug dealers in the city of Baltimore, this is a rich, nuanced fresco showing the reality of our society. It's complex, fascinating and exhausting, all in one. No clean cut characters, no good-guys / bad-guys, no straight forward stories. Each season deals with a different subject: illegal drug dealing, international criminal organisations, social problems related to drugs, political corruption, the media. All of it pictured with such attention to details, in such a realistic and unbiased way, supported by such high-quality acting and writing, that you can be sure you won't be disappointed at any time. The series is slow-cooking style, with little especial effects and a rather conventional editing. This might sound old-fashioned, but the approach to the themes and characters is so honest that the result is simply classical, timeless. I read somewhere that, if people want to know about society in the 19th century, they should read Dostojevsky, and if they want to know about society in our times, they should watch The Wire. There you go. Enjoy it.
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