A single woman, Ellie Riggs, tries to navigate her way through the Los Angeles music scene and her own messy personal life. Told in real time, each episode is a linear 22-minute slice of Ellie's life.

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2003   2002   Unknown  
3 nominations. See more awards »

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Cast

Series cast summary:
...  Ellie Riggs 17 episodes, 2002-2003
...  Ben 16 episodes, 2002-2003
...  Edgar 16 episodes, 2002-2003
...  Susan 16 episodes, 2002-2003
...  Dr. Don Zimmerman / ... 16 episodes, 2002-2003
...  Ingvar 11 episodes, 2002-2003
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Storyline

A single woman, Ellie Riggs, tries to navigate her way through the Los Angeles music scene and her own messy personal life. Told in real time, each episode is a linear 22-minute slice of Ellie's life.

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Life is a comedy. Especially hers.

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Comedy

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Release Date:

26 February 2002 (USA)  »

Also Known As:

22 Minutes with Eleanor Riggs  »

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(19 episodes)

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1.33 : 1
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Trivia

For the first season, 13 episodes were made but NBC only aired 10 of them See more »

Connections

Featured in 101 Biggest Celebrity Oops (2004) See more »

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User Reviews

Why Hollywood can't try something different
5 April 2002 | by See all my reviews

Most of these comments show exactly why interesting and innovative shows, or indeed any show that's not in the same mold as every other show, don't get made. Or if they get made, they don't attract viewers quickly enough for the networks and they get dumped, whereas junk like "Veronica's Closet" just keeps getting renewed. "Action" was brilliant, and i'm glad it had its short perfect run. "Freaks and Geeks" was great. "Undeclared" is great. "Once and Again" had the best-written teens on televison, maybe ever. "The Tick" took a brilliant cartoon and somehow made it even better in live-action. And they all failed, because the American people want jokes in their comedy, jokes that come at regular intervals. They don't want comedy that's closer to drama, or to "real life", or to tragedy. They want a laugh track to tell them when something's funny. "Watching Ellie" is really funny, mostly because Julia Louis-Dreyfus is a brilliant physical comedienne. You watch her expressions, what she does with her eyes and mouth and hands, reacting to the frustrations of life, and she is just brilliant. The 22-minute limit is a gimmick, but it's actually fun to see what new situation the writers come up with to attach the ticking clock to. This show is going to die a quick death, and in five years it's going to come out on DVD and everyone will declaim its brilliance. Too bad it's a network show. Cheers to Julia Louis-Dreyfus (and even to Brad Hall).


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