Peter Sanderson is a divorced, straight-laced, uptight attorney who still loves his ex-wife and can't figure out what he did wrong to make her leave him. However, Peter's trying to move on, and he's smitten with a brainy, bombshell barrister he's been chatting with online. However, when she comes to his house for their first face-to-face, she isn't refined, isn't Ivy League, and isn't even a lawyer. Instead, it's Charlene, a prison escapee who's proclaiming her innocence and wants Peter to help her clear her name. But Peter wants nothing to do with her, prompting the loud and shocking Charlene to turn Peter's perfectly ordered life upside down, jeopardizing his effort to get back with his wife and won a billion dollar client.Written by
Sujit R. Varma
Producers wanted the slang that was spoken in the movie to be current and relevant to the time period in which the movie was released. This proved to be difficult as words take on different meaning to become Ebonics almost everyday. (Whatever words they used during filming might not have been in circulation by the time the film was released.) In order to play it safe, some of the Ebonics spoken in the movie was made up by the actors on the spot. See more »
When Peter is trying on clothes for his date, he fluffs the color of the blue shirt before he puts on the sweater. In the next shot, one side of the collar is in and the other is out. See more »
You lock me out, no money, no place to go, a sister got to get her cheese on.
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OK, so the white-yuppie-and-black-ghetto-person-joining-up idea has been used a number of times in movies, but the dialog between Steve Martin and Queen Latifah makes this one worthwhile. Probably the best scenes are Betty White's nasty comments, Queen Latifah teaching Missi Pyle a lesson, Steve Martin dressed - and attempting to talk - like a rapper (especially because of what Joan Plowright ends up doing in that scene), and of course, Eugene Levy's statements ending with "Boo". "Bringing Down the House" really does bring down the house. Completely silly, but fun nevertheless.
Who ever would have imagined Joan Plowright (aka Laurence Olivier's widow) doing what she did and saying what she said in the rapper scene?
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