Only a few weeks after her husband's mysterious death, Maureen returns from a cruise with handsome Brit Oliver Vance in tow. Her son Scott is mortified. He still can't believe that his ...
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Only a few weeks after her husband's mysterious death, Maureen returns from a cruise with handsome Brit Oliver Vance in tow. Her son Scott is mortified. He still can't believe that his father - a world-class athlete - actually drowned. When Maureen and Oliver announce wedding-plans, Scott's world begins to fall apart. Oliver's attractive daughter Kelly shares Scott's distrust of the impending marriage - and proposes a theory of her own: is it possible that Maureen and Oliver have known each other longer than just a few weeks; and if so, could they have possibly killed Scott's father? The two start to investigate - and soon fall in love. But while they are united by a horrible suspicion, the investigation soon reveals some secrets that keep them apart. Scott has to realize that he can truly trust no one - not Oliver, not Maureen and definitely not Kelly.Written by
maybe, too many. and the sex appeal of Adam Garcia as the most important ingredient. inspired choice in the first part, strange in the other. because the new revelations about characters, the ambiguity as instrument of suspense are good points but not in the case of lost of sense. because all becomes only improvisation. each actor does the best. this fact is obvious but the fundamental obstacle is the script. because the relativity of emotions, confessions are a kind of hammer against the first story. and the coherence is lost. sure, it is a thriller. but the rules of genre are more subtle. it has the mystery as basic instrument of atmosphere. but something important missing. the love story becomes confuse. the body of Adam Garcia could not supply a thin script. so, isolated scenes about mourning, sadness, revenge and love from a kind a broken puzzle.
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