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Title: Charlie's Angels: Full Throttle (2003)
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| Cast overview, first billed only: | |||
| Cameron Diaz | ... | Natalie Cook | |
| Drew Barrymore | ... | Dylan Sanders | |
| Lucy Liu | ... | Alex Munday | |
| Bernie Mac | ... | Jimmy Bosley | |
| Crispin Glover | ... | Thin Man | |
| Justin Theroux | ... | Seamus O'Grady | |
| Robert Patrick | ... | Ray Carter | |
| Demi Moore | ... | Madison Lee | |
| Rodrigo Santoro | ... | Randy Emmers | |
| Shia LaBeouf | ... | Max | |
| Matt LeBlanc | ... | Jason | |
| Luke Wilson | ... | Pete | |
| John Cleese | ... | Mr. Munday | |
| Ja'net DuBois | ... | Momma Bosley | |
| Cheung-Yan Yuen | ... | Deranged Mongol | |
The Angels--Natalie, Dylan, and Alex are back again but this time they're preparing for a strike without even warning as they go undercover to retrieve two missing silver bands. These are no ordinary rings. They contain valuable encrypted information that reveal the new identities of every person in the Federal Witness Protection Program. When witnesses start turning up dead, only the Angels, using their expertise as masters of disguise, espionage and martial arts can stop the perpetrator, a mysterious "fallen" Angel. Aided by their trusty colleague, Jimmy Bosley, the Angels' adventure begins at a remote Mongolian outpost and ends only after Dylan is forced to face a dark secret from her past--a secret that puts the lives of her two best friends in danger. Written by Anthony Pereyra {hypersonic91@yahoo.com}
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Director McG sure know how to shoot a slick scene. He just doesn't understand why. This movie (and I'm using the term loosely) is entertainment for and by people with attention deficit syndrome.
Directed as a never ending pop video it's the movie substitute for lying on the couch watching MTV.
The pop music drones in the background every second of the movie as gorgeous babes kick ass i slow motion. It's Bay Watch with a budget.
Plot, development, build-up and dialog are elements usually found in most movies. They are as alien to this flick as it is devoid of entertainment value. Incoherent, badly edited action sequences tied together with awkward one-liners as substitute for dialog constitutes what can be called the "structure" of this movie. That is, to the extent this movie has any structure. It is a celebration of the end of cinema.
Not stylish but vulgar. Not entertaining but embarrassing. Not fun but sad.
Star studded as any action flick I've ever seen, it was fascinating for me to watch the extent and speed that this move wastes and disposes talent. Anybody who appears on screen in this stinker should be ashamed of themselves. Kudos to the producers for coating pure sh**e with enough sugar so that mindless teenagers will suck it down without noticing it's real taste.
I weep for this movie.