American Splendor (2003)

An original mix of fiction and reality illuminates the life of comic book hero everyman Harvey Pekar.

Directors:

Shari Springer Berman, Robert Pulcini

Writers:

Harvey Pekar (comic book series American Splendor), Joyce Brabner (comic book series Our Cancer Year)

Stars:

Paul Giamatti, Shari Springer Berman, Harvey Pekar

Nominated for 1 Oscar. Another 31 wins & 49 nominations.

Cast

Cast overview, first billed only:
Chris Ambrose	...	Superman
Joey Krajcar	...	Batman
Josh Hutcherson	...	Robin
Cameron Carter	...	Green Lantern
Daniel Tay	...	Young Harvey
Mary Faktor	...	Housewife
Paul Giamatti	...	Harvey Pekar
Harvey Pekar	...	Real Harvey
Shari Springer Berman	...	Interviewer (voice)
Larry John Meyers	...	Throat Doctor (as Larry John Myers)
Vivienne Benesch	...	Lana
Barbara Brown	...	Nurse
Earl Billings	...	Mr. Boats
Danny Hoch	...	Marty
James Urbaniak	...	Robert Crumb

Storyline

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait...

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Plot Keywords:

comic book | robert crumb | 1980s | dark horse comics | husband wife relationship | 

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Taglines:

Ordinary life is pretty complex stuff.

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Genres:

Biography | Comedy | Drama

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Motion Picture Rating (MPAA)

Rated R for language

Details

Country:

USA

Language:

English

Release Date:

12 September 2003 (USA)

Also Known As:

Esplendor americano

Filming Locations:

Cleveland, Ohio, USA

Box Office

Opening Weekend USA:

$159,705, 17 August 2003, Limited Release

Gross USA:

$6,003,587, 30 November 2003

Company Credits

Production Co:

Good Machine,Dark Horse Entertainment

Technical Specs

Runtime:

101 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

All of the "white room" documentary scenes were filmed in one day.

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Goofs

When Harvey Pekar forgets his keys and cannot get into the apartment, the elderly woman opens the door for him. When he closes the door behind him, it bounces off the frame and doesn't latch shut.

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Quotes

Harvey Pekar: My name is Harvey Pekar - that's an unusual name - Harvey Pekar. 1960 was the year I got my first apartment and my first phone book. Now imagine my surprise when I looked up my name and saw that in addition to me, another Harvey Pekar was listed. Now I was listed as "Harvey L. Pekar", my middle name is Lawrence, and he was listed as "Harvey Pekar" therefore his was a - was a pure listing. Then in the '70s, I noticed that a third Harvey Pekar was listed in the phone book, now this filled me with...

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Connections

Featured in Half in the Bag: 2018 Catch-Up (part 1 of 2) (2018)

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Soundtracks

Lady Be Good
(1924)
(Published as "Oh, Lady Be Good!")
Music by George Gershwin (as George)
Lyrics by Ira Gershwin
Performed by Dizzy Gillespie
Courtesy of Savoy Records and June St Entertainment

User Reviews

American brilliance

I must confess that I was a bit apprehensive in going to see this film. I thought it would be one of those movies that are hyped to the max by the adoring critics, but that it would turn out to be a darling of the reviewers and not the great film everyone was making it to be.

Well, I was thoroughly surprised by the brilliant film making shown by the directors Shari Springer Berman and Robert Pulcini. They have created a film that works in different levels. First, it is the story of Harvey Pekar told in cinematic terms. Secondly, by presenting the real Harvey Pekar to speak to the camera as he is interviewed, it adds another dimension about the directors' vision in bringing him to us to tell us in his own words, that yes, there is a real person whose life we are getting to know. And thirdly, it works as the weird comic strip that Harvey Pekar might have conceived in his mind.

Harvey Pekar is an example of a strange man who lives and functions within the American society, yet, for all practical purposes, he is in his own little world of collecting books and records and writing his wry observations on what he sees around him. Are we to say we are normal and Harry is not? What if it turns out that Harvey had it all figured out and we had no clue? Let the viewer decide for himself.

The directors great achievement is the brilliant casting. Paul Giamatti is the closest thing anyone would have selected to the real Harvey. Up to now, I have only seen Mr. Giamatti in comedies that didn't have the weight of this film. His take on Harvey is so intense that there are parts when we see the actor and immediately, the real Harvey comes on a different scene. Separating them is almost impossible, as Giamatti's performance leads to Harvey and vice versa. He is totally believable here. He proves that whatever he is doing on screen is what we would expect the real Harvey to do on his own life.

The other incredible casting is the one of Hope Davis as Joyce Brabner. Ms. Davis gets the essence of Joyce with very little effort. We can almost see that the Joyce of Hope Davis will result in the actual Joyce we see in the interviews as herself. The resemblance is uncanny. Ms. Davis is outstanding in the film. We wonder what could have attracted her to Harvey, in the first place. Of course, we realize her passion for comics, but on a physical level, these two, as a couple, are miles and miles apart. Yet, their marriage, unlike Harvey's other two before her, survives and grows.

Ms. Davis scenes with the young Danielle are pure poetry. We can see it in her face that motherhood for her is very important, yet, she cannot have a child of her own with Harvey. She is thoroughly rewarded at the end with the arrival of Danielle who finds in Joyce a kind soul and a mother because her real one could not be bothered with her.

The rest of the cast is just as magnificent. Judah Friedlander as Toby is both funny and pathetic. He is another product of the society he lives in. Also effective, James Urbaniak as the illustrator Bob Crumb who sees in Harvey's stories the potential for great comic books.

This is a triumph for all that were involved in this film.