American Splendor (2003)

An original mix of fiction and reality illuminates the life of comic book hero everyman Harvey Pekar.

Directors:

Shari Springer Berman, Robert Pulcini

Writers:

Harvey Pekar (comic book series American Splendor), Joyce Brabner (comic book series Our Cancer Year)

Stars:

Paul Giamatti, Shari Springer Berman, Harvey Pekar

Nominated for 1 Oscar. Another 31 wins & 49 nominations.

Cast

Cast overview, first billed only:
Chris Ambrose	...	Superman
Joey Krajcar	...	Batman
Josh Hutcherson	...	Robin
Cameron Carter	...	Green Lantern
Daniel Tay	...	Young Harvey
Mary Faktor	...	Housewife
Paul Giamatti	...	Harvey Pekar
Harvey Pekar	...	Real Harvey
Shari Springer Berman	...	Interviewer (voice)
Larry John Meyers	...	Throat Doctor (as Larry John Myers)
Vivienne Benesch	...	Lana
Barbara Brown	...	Nurse
Earl Billings	...	Mr. Boats
Danny Hoch	...	Marty
James Urbaniak	...	Robert Crumb

Storyline

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait...

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Plot Keywords:

comic book | robert crumb | 1980s | dark horse comics | husband wife relationship | 

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Taglines:

Ordinary life is pretty complex stuff.

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Genres:

Biography | Comedy | Drama

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Motion Picture Rating (MPAA)

Rated R for language

Details

Country:

USA

Language:

English

Release Date:

12 September 2003 (USA)

Also Known As:

Esplendor americano

Filming Locations:

Cleveland, Ohio, USA

Box Office

Opening Weekend USA:

$159,705, 17 August 2003, Limited Release

Gross USA:

$6,003,587, 30 November 2003

Company Credits

Production Co:

Good Machine,Dark Horse Entertainment

Technical Specs

Runtime:

101 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

When Harvey Pekar first guest stars on Late Night with David Letterman (1982), Joyce is in the waiting room with a man with an alligator (Terrence Sullivan). This was originally intended to be a cameo by John Waters.

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Goofs

When the real Harvey Pekar is recording his voice-over, someone fills his "orange soda" to the top of his glass. When he picks it up, there is less than half a glass of soda.

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Quotes

Robert Crumb: You turned yourself into a comic hero?
Harvey Pekar: Sorta, yeah. But no idealized shit. No phony bullshit. The real thing, y'know? Ordinary life is pretty complex stuff.

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Connections

References Nixon (1995)

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Soundtracks

Ain't That Peculiar
(1965)
Written by Bobby Rogers (as Robert Rogers), Smokey Robinson (as William Robinson Jr.),
Marvin Tarplin and Warren Moore
Performed by Chocolate Genius
Courtesy of V2 Records, Inc.

User Reviews

A modern classic of successful innovation

Successfully innovative, American Splendor combines fiction and reality in a spellbinding and amusing way, winning awards at Cannes and Sundance, and proving its maxim that life is pretty complex (and endlessly fascinating) stuff . . .

The story features Harvey Pekar, as himself, as the played by actor Paul Giamatti and as the comic book persona that he has created based on himself. Pekar is downbeat, depressed, in a dead end filing job, rather bitter. His best friend is a self-confessed nerd. Yet when the events of his life are epitomized in comic book snapshots they are intensely poignant, they seem to reach the disenfranchised, the dysfunctional within each of us. We follow him into a marriage that is as weird as he is. The originality of the material is reflected in its postmodern style of presentation, self-awareness of audience-manipulation blending seamlessly with entertainment and artistic delivery. Scenes are introduced and blended with comic book taglines, storyboarding, and even transitions from interloping set discussions with the real Pekar to the actor playing the scene under discussion. If it sounds pretentious, it's not – simply because it works so well and in an unpretentious way. Lovingly created and very moving. Probably the first real classic of 2003 and not to be missed, and for lovers of jazz/blues a soundtrack collectors item.

(Seeing it at the Edinburgh International Film Festival I also had the privilege of seeing the real life Pekar, his wife and adopted daughter together with Paul Giamatti, truly topping off a multi-media experience haha!)