The daughter of a thief, young Moll is placed in the care of a nunnery after the execution of her mother. However, the actions of an abusive priest lead Moll to rebel as a teenager, ... See full summary »
A lawyer is asked to come to the police station to clear up a few loose ends in his witness report of a foul murder. This will only take ten minutes, they say, but it turns out to be one ... See full summary »
In Los Angeles, Jason Lair is recently separated, living with his grandfather and his son. He's a banker, tense, with a limp. Grandfather Henry, an archaeologist, wants to take the family ... See full summary »
A meditation on love and its various incarnations, set within a community of friends in Oregon. and is described as an exploration of the magical, mysterious and sometimes painful incarnations of love.
The film philosophical approach at redemption. The protagonist Manual Jordan has gotten parole from a life sentence for the murder of Abner Easley, and returns to the city he lived in to try to seek redemption. He ends up living and working at a community house run by a preacher, Miles Evans. The film is equipped with beautiful voice-overs about the meaning of life and different philosophies for getting redeemed. Manual also becomes friends with Adele Easley, his victims sister, in an attempt to make up for what he did. While working at the home he has interactions with Sofia Mellinger, the druggie daughter of a famous singer, struggling with the lack of adult guidance in her life.Written by
While some have commented that Morgan Freeman's voice changes dramatically throughout the film, it is a major plot point that he is living a lie, living under an assumed identity and not particularly good at it.
It is related to the theme of doing good, even though you may not be particularly good at it, nor be able to continue doing it for very long. It sounds unnatural for Morgan because it is unnatural for his character. See more »
An Ed Solomon film starring Billy Bob Thornton, Morgan Freeman, Holly Hunter and Kirsten Dunst. This is a very personal film by the writer of Bill & Ted's Excellent Adventure and Men in Black. Too slow-moving for mainstream acceptance, this is nevertheless a movie of depth and compassion. It grapples with the issue of redemption, and leaves the audience with uncertainty that is nonetheless remarkably calming-hope without moralism. Thornton was . Thornton. He has the range of a tetherball. I don't think Morgan Freeman is at his best in this film. And we don't see enough of Holly Hunter to appreciate her. The film had some very funny moments, but I can't think of a less appropriate title. Having said all that, this movie is worth the trip because it is thought-provoking, subtle and oddly inspiring.
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