It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
Harry Potter is having a tough time with his relatives (yet again). He runs away after using magic to inflate Uncle Vernon's sister Marge who was being offensive towards Harry's parents. Initially scared for using magic outside the school, he is pleasantly surprised that he won't be penalized after all. However, he soon learns that a dangerous criminal and Voldemort's trusted aide Sirius Black has escaped from the Azkaban prison and wants to kill Harry to avenge the Dark Lord. To worsen the conditions for Harry, vile creatures called Dementors are appointed to guard the school gates and inexplicably happen to have the most horrible effect on him. Little does Harry know that by the end of this year, many holes in his past (whatever he knows of it) will be filled up and he will have a clearer vision of what the future has in store...Written by
Alfonso Cuarón: [Title appears at both the beginning and the end of the film] At the end of the film, the title is shown before the end credits, animated in the style of the Marauder's Map. See more »
Harry and Hermione get hit in the abdomen/pelvis multiple times by the huge, fast branches of the Whomping Willow, with enough force to throw them in the air, and they just get up and carry on. In reality, blows of that magnitude would shatter their bones and cause massive internal injuries. See more »
During the closing credits, the Marauder's Map is shown with footprints moving around the cast and crew's names. When composer John Williams' name is shown, the footprints appear confined to an invisible box as if he is on the conductor's podium. When Robbie Coltrane's name is shown, the footprints are several sizes larger than the others, befitting Hagrid's larger stature. See more »
DVD includes the following deleted scenes:
A scene cut from the Knight Bus sequence in which the bus turns around several times on the spot in the middle of the street.
An extended version of the scene where the bird flies through the courtyard, across the bridge, and in the direction of Hagrid's hut. We see Hagrid attempt to catch the bird, but instead it ends up being crushed by the Whomping Willow.
A scene in the Great Hall, where Ron and Hermione tell Harry about their visit to Hogsmeade.
A scene where the Gryffindors meet Sir Cadogan.
A scene in the Gryffindor Common Room, where all the students are gathered as Ron tells Professor McGonagall that Sirius Black had gotten into the dormitory. Professor McGonagall then asks Sir Cadogan if he let anyone into the common room. Ron then tells Hermione that Crookshanks ate Scabbers. Upset, Hermione sits down on the couch next to Harry, who says that he could have killed Sirius Black.
The third film about the young wizard is the most controversial, for it was he who split the fans of the novels about Potter into two warring parties: conservatives and innovators.
The first group of fans absolutely condemned and condemned the actions of the director Cuaron, altered "Harry Potter" in his own way. Say, they did not like the strange werewolf, all sorts of jokes-jokes, interspersed by the director in addition to the script, and in addition to all the claims they discovered the disappearance of the atmosphere of magic, because of which the popular expression of "Quaron in the furnace" was born.
The second group, on the contrary, furiously began to praise Cuaron, extolling him to the unprecedented pedestal of fame, thus creating almost a cult of personality. They liked everything that only they could like in the third film.
Only now it became clear that both sides are not right in their convictions. So it should be, movies must be different in essence. The error crept in from the very beginning: Chris Columbus took the first two films, and this put the old debate on what kind of movies Harry Potter should be about. Columbus did not have to give the right to shoot two films, and one would suffice. Spectators are used to the atmosphere of the first two films, because most of the audience took the innovative approach of Quaron to the screen version of the third novel with bayonets. Now the producers make a mistake again - they give the right to shoot two films (The Order of the Phoenix and The Half-Blood Prince) to the new director David Yates. This should not be done in any case. It is necessary to preserve the diversity of director's visions. Hogwarts is not accidentally depicted in different ways in films, like Hogsmeade. Everything in novels is seen differently every time, because all the reader and viewer sees through the eyes of Harry Potter, and in films through the prism of the director's vision, the viewer must perceive the magical world through the eyes of a young wizard.
Alfonso Cuaron still hit the spot with his timely vision of the plot of "The Prisoner of Azkaban."
He created a sparkling tragicomedy for the growing up of a young wizard.
In general, Cuaron's film reminds me of our old Soviet films. For the reason that the whole film can be easily taken away on the shots, quotes, fragments, heroes, soundtracks, etc., etc.
Despite everything, this film is much kinder than the previous two, differing in their gloomy Gothic style. It's more fun, crazy, and it should be, because it's Sirius Black himself on the scene!
For the whole of Rowling's novel, like the film of Quaron, is a tribute to the memory of the crazy, hooliganistic and such lonely Sirius Black ... Black, whose heart is beating violently, hot blood flows in his veins, and in the soul is truly dog devotion.
The third film, as well as the film, is dedicated to the looters - James Potter (= Harry Potter), Peter Pettigrew, Rimus Lupine and Sirius Black - a group of friends who used to be friends a long time ago ...
The film ruthlessly shows how easy it is to lose friendship and how difficult it is to acquire a friend ...
Thanks to Alfonso Cuaron, who did a talented work, showing in one stroke all the huge gallery of the characters of the magical world and their essence: the Minister of Magic plunges into a puddle; the soothsayer with big glasses on her nose stumbles on her own table; The evil teacher Severus Snape closes the children from the werewolf; eccentric Dumbledore slams his hand over Ron's gnarled leg; Remus Lupine, at the lesson, takes a snack with an apple; portraits of Hogwarts, it turns out, also like to sleep; Stan Shanpike with his brave words is not very strong in dragging student suitcases; Hagrid and ties are incompatible things; Tom from the Leaky Cauldron has a nehyl auto; Ernie, wearing spectacles with large lenses, is led by the "Night Knight"; Sirius Black finally began to talk moral nonsense ...
Also it is necessary to thank the new actors, so successfully merged into the old line-up:
Emma Thompson (Sibyl Trelawney); Michael Gambon (Albus Dumbledore); David Thulis (Remus Lupine); Julie Christie (Madame Rosmerta); Gary Oldman (Sirius Black); Timothy Spall (Peter Pettigrew) and many others. By the way, if my memory does not change me, then the two actors from the third film (cleaning woman in the bar "Leaky Cauldron" and Aunt Marge) Quaron quietly consigned to his other project - "Child of Man", but that's another story ...
Let me love the fourth film about Harry Potter (director - Mike Newell), but I always revise the Curaron part - it is the brightest of all existing.
In a word, long live Rowling and Cuaron!
"Potter, come back!" (Severus Snape, potions teacher).
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