It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
Harry Potter is having a tough time with his relatives (yet again). He runs away after using magic to inflate Uncle Vernon's sister Marge who was being offensive towards Harry's parents. Initially scared for using magic outside the school, he is pleasantly surprised that he won't be penalized after all. However, he soon learns that a dangerous criminal and Voldemort's trusted aide Sirius Black has escaped from the Azkaban prison and wants to kill Harry to avenge the Dark Lord. To worsen the conditions for Harry, vile creatures called Dementors are appointed to guard the school gates and inexplicably happen to have the most horrible effect on him. Little does Harry know that by the end of this year, many holes in his past (whatever he knows of it) will be filled up and he will have a clearer vision of what the future has in store...Written by
(at around 12 mins) When Harry is shown getting down from the Knight Bus and entering the Leaky Cauldron, a wizard sitting inside and stirring his mug by magic, is shown reading "A Brief History of Time" by Stephen Hawking. See more »
(at around 34 mins) When Harry is bowing to the hippogriff and steps on a twig, Hermione jumps and holds Ron's arm. In the next shot with them in the background, you see her doing the exact same move again. See more »
The credits appear as a version of the Marauder's Map, moving all over the surface, accompanied by little footprints which react and change appropriately. See more »
Some of the dubbed versions change the names of a few characters, to match their translated novel counterparts in each respective language. One good example is Hermione, who in the German version (of all the Potter films/books) is named Hermine. See more »
Abstract and dark themes abound; still the most mature HP entry
Alfonso Cuarón's masterful adaptation does the source material immeasurable justice by exploring its underlying concepts in an intelligent manner. Of course, it certainly helps that the aesthetics of the film are incredible, the acting remains stellar (and the trio of young actors handle their roles admirably), and John Williams offers an amazing (and eclectic) score. Character development is superb - Steve Kloves penned a great script.
First-time and young viewers will likely enjoy the film for its merits based on plot and 'adventure' alone, but it takes multiple viewings and a critical eye to enjoy the abstract ideas and nuances. Cuarón himself credited the source material as being laden with real-world issues: oppression, racism, loneliness, power, friendship, justice and so forth.
This is the Harry Potter film that stands on its own and as a tremendous cinematic achievement. It challenges viewers and yet doesn't patronize them or attempt to offer answers to all of the questions presented. For instance, the ending is bittersweet at best and retains a healthy amount of ambiguity.
If you've never read the books or understood the acclaim of the series as a whole, watch Cuarón's 'Prisoner of Azkaban' and you'll understand why this entry is clearly the zenith of the seven.
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