A black detective becomes embroiled in a web of danger while searching for a fortune in missing drug money.During the course of his investigation, he encounters various old connections, ... See full summary »
Keenen Ivory Wayans
Keenen Ivory Wayans,
Charles S. Dutton,
Jada Pinkett Smith
Dr. RJ Stevens is a talk show host who visits his family in the deep south. While there he reunites with his brother Otis, his sister Betty, his cousin/rival Clyde and his childhood love interest Lucinda Allen.
Malcolm D. Lee
James Earl Jones
As Carl Black gets the opportunity to move his family out of Chicago in hope of a better life, their arrival in Beverly Hills is timed with that city's annual purge, where all crime is legal for twelve hours.
In this extremely hilarious comedy, Tea (Master P) and Coffee (Michael Blackson) are two repo men who work for Mr. Henderson (Katt Williams) at Banks Repo. While trying to break their "repo... See full summary »
A fish-out-of-water comedy about a talented street drummer from Harlem who enrolls in a Southern university, expecting to lead its marching band's drumline to victory. He initially flounders in his new world, before realizing that it takes more than talent to reach the top.Written by
Sujit R. Varma
One of the bands performing at the "BET southern classic" is Clark Atlanta University, whose campus is used as the setting for Atlanta A&T University in the movie. See more »
During the scene with Ernest stuffing his face in a hurry, the amount of soda in his cup and the direction of the straw shifts between shots. See more »
Trumpet Section Leader:
Trumpets are the voice of the band. We are the melody. We are the clarity.
Tuba Section Leader:
Tubas are the most important section of this band, boy! Tubas are the boom!
Sax Section Leader:
Saxophones are the truth, the funk, and the hook. See, once they see us, they recognize...
[percussion section claps to a beat]
We are the heart... and the soul. Without the percussion section, the band doesn't move, doesn't come alive.
[places a hand on Devon's shoulder as he and his co-percussionists clap faster]
We are the pulse. Without a pulse...
[...] See more »
As the MBU band plays one more time over the credits, the names for each principal actor appear on the screen (and exit) in patterns resembling marching formations, such as spinning into frame and then out again like a drumline. See more »
The "talented young smart-ass goes to college and learns there's more to life than being skillful or clever" theme is an old one and it's been done better many times in the past. Robert Young learned about teamwork in "Navy Blue and Gold." More recently Rob Lowe learned the lesson in "Oxford Blues." The difference between Drumline and these and other older films on the same theme is that the lead characters evoked more sympathy. Nick Cannon's Devon Miles character is a self-centered, posturing, swaggering jackass who evokes immediate dislike and though you see him grow up a little in the course of the film, you never really learn to like or respect him.
Drumline also suffers from an identity crisis of its own. You're never really sure what sort of story it wants to tell. Is is a "coming of age" story, a drama, a comedy, a romance? It tries to be all of these at once and never seals the deal on any of them.
Drumline could have told a good story about a New York kid learning that there's more than one way to be black in this world. There are a couple of hints of that in Devon's relationship with Laila. Her comment to Devon: "Southern sisters don't date...we have boyfriends," could have been an opening to a good subplot about differences in black culture between different parts of the US, but, as with so many other possible plots, the story touches it lightly, and then flits off to something else. An arrogant young freshman such as Devon would have had many lessons to learn while finding his way in this environment, but the film misses nearly every opportunity to show us the relationships between the characters in any depth, so the performances come off as predictable and mechanical.
All the same, I've seen Drumline several times and enjoyed it for what it does very well. The presentation of the music and and the work that goes into running a big university marching band are very good. I could have done with more of both. The all-too-brief glimpses of life at a black southern university are well done. Again, I could have done with more of that as well. Drumline also had moments of humor, and some visually engaging camera work, especially in the music scenes.
I like this movie. I just wish it had been better done.
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