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Barbershop (2002)

PG-13 | | Comedy, Drama | 13 September 2002 (USA)
A day in the life of a South Side Chicago barbershop.

Director:

Writers:

(story), (screenplay) | 2 more credits »

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1 win & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Calvin Palmer
... J.D.
... Eddie
... Jimmy James
... Terri Jones
... Isaac Rosenberg
... Ricky Nash
... Dinka
... Lester Wallace
... Jennifer Palmer
... Billy (as Lahmard Tate)
... Detective Williams
... Kevin
... Hustle Guy
... Janelle
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Storyline

A day in the life of a barbershop on the south side of Chicago. Calvin, who inherited the struggling business from his deceased father, views the shop as nothing but a burden and waste of his time. After selling the shop to a local loan shark, Calvin slowly begins to see his father's vision and legacy and struggles with the notion that he just sold it out. The barbershop is filled with characters who share their stories, jokes, trials and tribulations. In the shop we find Eddie, an old barber with strong opinions and no customers. Jimmy is a highly educated barber with a superiority complex who can't stand Isaac, the new, white barber who just wants a shot at cutting some hair. Ricky is an ex-con with two strikes against him and is desperately trying to stay straight. Terri is a hard-edged woman who can't seem to leave her two-timing boyfriend. And lastly there's Dinka, a fellow barber who is madly in love with Terri but doesn't get the time of day. Written by Uber Minion

Plot Summary | Add Synopsis

Taglines:

Everyone's gettin' lined up.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for language, sexual content and brief drug references | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

MGM

Country:

Language:

Release Date:

13 September 2002 (USA)  »

Also Known As:

A Barbearia  »

Filming Locations:

 »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend USA:

$20,627,433, 15 September 2002, Wide Release

Gross USA:

$75,782,105

Cumulative Worldwide Gross:

$77,063,924
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

On the DVD we see that it was Eddie that drank Teri's apple juice. See more »

Goofs

When Ray Ray, the solicitor, is in the shop, he gives Ricky a phone which a few moments later, he is seen taking it back. However, as Calvin enters and chases him out, Ricky is seen again with that same phone, trying to give it to Isaac who was standing behind him. See more »

Quotes

Calvin: Ray! I told you to stop coming in here soliciting. Are you retarded or something?
Ray-Ray: No.
Calvin: Are you stupid, simple, or slow; which one?
See more »

Connections

Featured in Uncensored Comedy: That's Not Funny! (2003) See more »

Soundtracks

It Takes More
Written by Goapele Mohlabane (as G. Mohlabane) & J. Mason
Performed by Goapele Mohlabane (as Goapele)
Courtesy of Skyblaze Recordings
See more »

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User Reviews

 
Uninvolving rehash of other movies
15 September 2007 | by See all my reviews

Not every movie can be entirely original. But it's annoying to see obvious rip-offs from other movies combined with a lack of talent for story-telling (or in this case scene-telling). Obvious references which are simply taken and copied only with much lesser intelligence are: Coming to America, Big Lebowski, Do The Right Thing, Carwash, etc.

For instance the car smashing scene: It isn't even done well, the guy takes forever to notice that his car is being smashed, then he runs out on the street and there isn't a single funny line. The scene is straight out of Big Lebowski (a movie I didn't like and found less original than almost everyone else but at least there was some craft involved in the making of that particular movie).

And this happens all the time: people talk and do the most obvious things. No twists, no clever dialogue, just a shallow and flat deliverance. It sometimes even feels as if there was no script at all. People seem to have a general idea of a scene then just went along to see if anything (funny) would happen.

It's all good and fine to try to capture alleged everyday life but this requires a skill. The "jokes" throughout the movie have Police Academy quality. i.e. they are primitive, slap-sticky and have been seen a million times. Fat guys are just fat and that is supposedly funny enough. For them to quote and make fun of Rosa Parks, MLK has absolutely no reason or twist or whatever. At one point in the movie guys talk about being entitled to reparation payments like Jews for the Holocaust. It's mystifying what all these touchy subjects that appear out of nowhere in the movie are supposed to be doing for a film that seems to want to be a light-hearted snap-shot of some inner city neighbourhood.

It seems someone just wanted to cram every possible subject into a setting without rounding if off in any way thinking you can just loosely tie together scenes and ideas (from others), then mix in a few controversial subjects and voilà: Here's your masterpiece. Well: it didn't work.


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