Edit
Storyline
"Ana y los 7" narrates the life and the illusions of Ana, a showgirl who is employed at a club by night, who dreams of being employed at the world of the showbussiness, and of turning into a star of the cinematographic universe. Ana spent her infancy in an orphanage, she did not know a family and her more intimate longing is to form her own. For a chance, she comes to Fernando Hidalgo's house, a banker with seven children: Carolina, Nando, Amalia, Celia, Guille, Ale and Lucía. Ana remains with the work, in spite of being employed furtively at the club by night.
Written by
Anonymous
Plot Summary
|
Add Synopsis
Edit
Did You Know?
Trivia
After the last episode shown on TV, Ana Obregón left the series, thinking that there would be no more episodes, but she found out that the rest of the cast, without her knowledge, had filmed another episode featuring the death of her character, and they were planning to go on with the series without her. She demanded the production company and blocked the broadcast of that episode. Finally, the judges gave the reason to the production company, but that was more than a year later, and the cast had already moved to other projects in the mean time, so that episode was never broadcast and the series effectively ended at the point Ana Obregón wanted.
See more »
Connections
Referenced in
Aída: From Lost to the River (2005)
See more »
Soundtracks
Ana y los 7
Written by
José María Cano See more »
...this show is constantly getting audience, so I will have to commit suicide or something.
On the other hand, I am really surprised that someone is watching "this" out of Spain, since the plot (if any) is absolutely awful... but... wait a minute... it looks like the writer of each episode is the starring of the series, so NOW I understand everything.
Anyway, the best part of this is that if you miss some episodes, be quiet, as they repeat the same action again and again and again. It is already very annoying but with some fake laughs... that would be the worst TV series ever to me.
Keep this coming, public TV!