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May (2002)

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A lonely young woman traumatized by a difficult childhood and her increasingly desperate attempts to connect with the people around her is sent into a murderous tailspin.

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9 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
... May Dove Canady
... Adam Stubbs
... Polly
... Blank
... Ambrosia
... Papa Canady
Merle Kennedy ... Mama Canady
... Young May
Rachel David ... Petey
... Hoop
... Chris, Adam's Roommate
... Buckle
Samantha Adams ... Lucille
Brittney Lee Harvey ... Diedre
... Kindergarten Boy
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Storyline

When May was a child, she was a lonely girl with a lazy eye and without any friends except a weird and ugly doll kept in a glass case given by her bizarre mother on her birthday. May becomes a lonely, weird young woman, working in an animal hospital and assisting the veterinarian in surgeries and sewing operated animals most of the time. Her lesbian colleague Polly has a sort of attraction for her. When the shy May meets the mechanic Adam Stubbs, she loves his hands and has a crush on him. They date, but the weirdness and bizarre behavior of May pushes Adam away from her. Alone, May has a brief affair with Polly, but she feels rejected again when her colleague meets Ambrosia. When her doll is accidentally broken, the deranged May decides to build a friend for her, using the best parts her acquaintances can offer. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

There Are No Good Wholes...Just Parts. See more »

Genres:

Drama | Horror

Motion Picture Rating (MPAA)

Rated R for strong violence/gore, some sexuality and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

11 April 2003 (Denmark)  »

Also Known As:

Frankenstein játékai  »

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Box Office

Budget:

$500,000 (estimated)

Opening Weekend USA:

$9,070, 6 June 2003, Limited Release

Gross USA:

$150,277, 10 July 2003
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The scene where Blank and May meet was a re-shoot. In the original scene, May was not cold and vague, but angry, and insulted people as they walked by on the street. The scene ended with the two of them in the park. That scene is still in the film but entirely replaced and reedited. It is now the scene where Adam and May meet and have there final talk in the park. The scene is told only through close ups, with both May and Adam glancing off camera. They were originally looking at Blank who was sitting beside her. But he was edited out of the scene completely. See more »

Goofs

When May and Adam are having lunch on the bench and May begins her "gross story" Adam alternates between having both hands in front of him and having one hand on the back of the bench next to May. See more »

Quotes

[first lines]
Young May: What's wrong with my eye, mama?
Mama: Doctor says it's lazy eye. But, we're going to make you look perfect.
See more »

Crazy Credits

No animals were harmed in the making of this film. All scenes involving injured, maimed, bloodied or deceased animals were accomplished through the magic of taxidermy and/or prosthetic appliances. See more »

Connections

Referenced in Danza Macabra See more »

Soundtracks

Weighting
Performed by Alien Tempo Experiment 13
Written by Jammes Luckett
Courtesy of Pied Parnes-Luckettiper Lorre Musesick and Acey Deucey Music (ASCAP)
Administered by Acey Deucey Music
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User Reviews

Make Sure You Rent A Comedy...For Afterward!
9 August 2003 | by See all my reviews

Some movies use gore to distinguish themselves from other horror movies in a unique way, and boy, do they ever succeed. DEAD-ALIVE, EVIL DEAD, RE-ANIMATOR. Others, rather than settle for OTT gore, try to creep you out with old-school tactics that wriggle under your skin into places that are anything but comfortable...places that you only visit in your dreams. THE OTHERS, THE SIXTH SENSE and SIGNS are those kinds of films.

And then you get those rarities...those exceptional films that are not for everyone, that manage to be both creepy and gory at the same time, in a way that's not quite easily classifiable, and so they are never considered "mainstream" by mass audiences in the multiplexes, or critics into selling sound-bites rather than writing decent reviews.

Films like TOURIST TRAP, THE FUNHOUSE, George Romero's MARTIN, ALICE, SWEET ALICE, SISTERS and SILENT SCREAM are some prime examples. To this list, we can now add MAY.

The less you know about this film going in, the more shocking the denoument is. And even those who have heard quite a bit about it, shouldn't be too quick to make assumptions. MAY goes in a direction that most films of this genre hint at, but never commit to. The result is a tale alternating between twisted tenderness and tremendous terror, like nothing you've seen in a long while. And in the true tradition of creepy/gory/blackly comic films, there's no middle of the road with this one. You will love it or absolutely hate it, but either way, you will not walk away from it unaffected. First-time writer/director McKee has seen to that, and then some.

Angela Bettis may need some serious therapy, following up her role in the CARRIE TV remake with this one. I'd be tempted to call it a pattern, since May does share a lot of similarities with Carrie White; the overprotective, overbearing mothers, the role of societal outcast set at an early age. But that's where the similarities end. Where Carrie's weapon of choice was her soon-to-be-not-so-latent telekinetic powers, May's power lies in her very deceptive talent to appear shy, docile, reclusive and weird, but supposedly "harmless." Obviously lacking in the social interaction department, she still has a quality about her that elicits our empathy and sympathy. The characters she meets in the story feel the same way and...well, you have to see what happens to belive it.

Indie faves Jeremy Sisto (SIX FEET UNDER), Anna Faris (the SCARY MOVIE series) and James Duval (A RIVER MADE TO DROWN IN) round out the principal cast. Not to mention May's first 'friend' that serves as a catalyst for the story...a doll given her by her mother, which may have you swearing off dolls for the rest of your life!

I'm not going to give away the main plot, leaving that to other reviewers and their assessments. I will say this: if your horror movies usually have to be series sequels with a number plastered in front of them, MAY might be too much imaginative derangement for you to handle. But if you're in the mood for something completely different, then rent it NOW, by all means. Just make sure you have a good, stupid comedy to take your mind off of it afterward. Trust me on this; even if it's DUDE, WHERE'S MY CAR? for the fifteenth time, TAKE IT. You'll feel...well, maybe a little better after watching this.


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