After the suicide of her beloved father, the biologist Daniella Logan visits her catatonic mother in a mental institution to tell the tragic event and her mother calls her "Josephine". ...
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A grieving English literature professor who is suffering from a horrible recurring nightmare will soon find himself immersed in a macabre world of myth and superstition governed by a coven of seven malevolent women.
After the suicide of her beloved father, the biologist Daniella Logan visits her catatonic mother in a mental institution to tell the tragic event and her mother calls her "Josephine". Daniella goes to the cemetery and finds that her father's grave had been opened and his corpse was profaned. She decides to investigate, and receives a message of a diabetic priest, Father Elias, who tells her about an ancient fanatic religious sect of followers of Abraham that kills the first child. Later, she meets a weird man, Toby Harris, who claims to be his legitimate father. Daniella continues seeking the truth about her origins and discloses very dark secrets about her family and friends.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Flat Spanish horror movie (shot in English) by the producers of the excellent Los Sin Nombre. Like Los Sin Nombre this is based on a Ramsey Campbell book. Both movies are also similar in that they deal with religious fanatics and endangered children, but while many of the same elements may be in place the second time around this movie doesn't deliver any big thrills or generate much suspense. The performances are bland and the director doesn't seem to have any idea of how to ratchet up the tension even though the story is inherently creepy and should have yielded a much more suspenseful film. Part of the problem lies in the script--the police detective here is so ludicrous and incompetent that his every scene becomes painful to watch and the heroine is simply too passive to generate much sympathy. She seems to be in a valium haze throughout the whole movie and never shows the urgency that would be vital for creating some sense of momentum in the still-born material. See Los Sin Nombre or that same director's Darkness instead.
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