5.1/10
1,017
14 user 12 critic

The Principles of Lust (2003)

Crippled by his writer's block, Paul enters into a new, exciting relationship with risk-taking Billy and super-sexy Juliette. As it becomes increasingly tangled, however, he must choose one of them over the other.

Director:

Penny Woolcock

Writer:

Penny Woolcock
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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alec Newman ... Paul
Marc Warren ... Billy
Sienna Guillory ... Juliette
Lara Clifton Lara Clifton ... Hole
Alexander Popplewell Alexander Popplewell ... Harry
Julian Barratt ... Phillip
Gwyn Hollis Gwyn Hollis ... Jude (as Gwyne Hollis)
Tommy Yates Tommy Yates ... Bezzer
Colin Nutton Colin Nutton ... Ray (as Skint Eastwood)
Kelli Hollis Kelli Hollis ... Lizzie
Nisha Nayar ... Olivia
Dylan Fielding Dylan Fielding ... Charlie
Mackenzie Crook ... Dan
Ricky Roberts Ricky Roberts ... Jordon
Luke Smedley Luke Smedley ... Robbie
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Storyline

Crippled by his writer's block, Paul enters into a new, exciting relationship with risk-taking Billy and super-sexy Juliette. As it becomes increasingly tangled, however, he must choose one of them over the other.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Parents Guide:

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Details

Country:

UK

Language:

English

Release Date:

12 March 2004 (UK) See more »

Also Known As:

Принципы похоти See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Soundtracks

The Sky Lit Up
Written by PJ Harvey
Performed by PJ Harvey
Courtesy of Island Records
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User Reviews

 
INTIMACY meets FIGHT CLUB
18 September 2003 | by LLB212See all my reviews

This hypersexual hyperviolent film winds up addressing serious issues perhaps in spite of it self and its writer-director Penny Woolcock who was present at the screening I saw along with female lead Sienna Guillory at the Toronto Film Festival. Paul, a would be writer, starts a primarily sexual relationship with Juliette including carefree intimacy in public which gives Paul the sense that he is living life on the edge. Also in his life is Billy, the apotheosis of the edge and a good stand in for The Prince of Darkness. Ultimately Paul must address the difference between observing life and living life and having a fantasy vs. living a fantasy. Do things have a point or are things the point in themselves? This film is strong enough to not provide answers.

For those who have asked the question, Ms. Woolcock replies that the bare-knuckle children show that Billy is always moving on to a higher level of outrageousness.


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