In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience,... See full summary »
Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell ... See full summary »
Follows a gang of small time crooks in an English town. Malc is in danger of losing his girlfriend Kate if he doesn't spend more time at home and the gang leader Jumbo looks like he is ... See full summary »
Rock roadie, Le Donk, has lived, loved and learned. Along the way, he's lost a classy girlfriend but gained a sidekick, Scorz-Ayz-Ee. He sets out to make Scorz a star with a little help from the Artic Monkeys.
The year is 1990, the rave scene has just entered England. The sound of the Stone roses lurks toward Shaun and the gang. This means that Woody and Lol are living in a domestic bliss, they are happy again. But this year will see huge changes in everyone. This is the year 1990. This is England.
Lyra Mae Thomas,
Christmas 1988. Soulmates, woody and Lol find themselves in exile from each other and the gang. Trying to understand the definition 'growing up', Shaun begins a course at College, that quickly takes the wrong turn.
Originally from the Midlands, Jimmy is currently living in Glasgow eking out a living as a hapless petty crook. One day, he sees his old family and friends - including his older foster sister Carol, her boyfriend/his old buddy Charlie, Jimmy's ex-wife and Carol's best friend Shirley, and Jimmy's pre-teen daughter Marlene - on a television talk show, they baring their souls to a national audience. He has not seen any of them in years. Of note on the show, Shirley rejects the marriage proposal of her slightly awkward live-in boyfriend Dek. Jimmy sees her answer to Dek as a reason to head back to the Midlands to reunite with his past, especially with Shirley and Marlene. Dek, already humiliated, is less than thrilled to see Jimmy back in their lives. In the ensuing duel between Jimmy and Dek for Shirley and Marlene's affections, others get caught up in the crossfire. Meanwhile, three of Jimmy's equally hapless crook friends from Glasgow come looking for him, Jimmy who left them high and ...Written by
When Dek (Rhys Ifans) finds out that Jimmy (Robert Carlyle) is back in town, he proclaims to Carol: "He's only your foster brother! He could have Hannibal Lecter's DNA for all we know!" Rhys Ifans went on to portray Grutas, Hannibal Lecter's nemesis, in Hannibal Rising (2007). See more »
[after an altercation between Jimmy and Dek]
Sorry, ladies and gentlemen, there's been a bit of an incident. It appears that someone's been given the correct change by one of the barmaids.
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Special thanks to ... the People of Carlton and Gedling, Nottingham ... See more »
Meadows' worst film.. but still better than average
Shane Meadows' first film, 'TwentyFour Seven', was dark, intense and arty; his second, 'A Room for Romeo Brass', is one my favourite movies, atmospheric, wildly funny and moving. But this, his third film, is not quite as brilliant, and indeed Meadows has acknowledged it as something of a wrong turn. Compared to it's predecessors, the mood is less claustrophobic, the humour a bit broader brush, and ultimately the movie is less poignant. Perhaps part of the problem is that whereas one of the highlights of Meadows' earlier films were the brilliant performances he coaxed out of largely unknown actors (Bob Hoskins was just about the only name of note in them), this film features a regular gallery of Brit-acting talent: Robert Carlyle, Kathy Burke, Ricky Tomslinson and Rhys Ifans. And while I have enjoyed movies featuring all of these actors, it's a bit hard, especially in the case of Tomlinson, to really see them in their roles, as opposed to as themselves. Sometimes, they almost seem to be performing too hard to fit into Meadows' sparsely filmed backdrops. One can also note that the cod-western theme is pursued with insufficient vigour to really define the movie. I don't want to be too harsh on the film overall, because there are still some very funny moments and excellent acting from Shirley Henderson and the young Finn Atkins. But it's certainly less ambitious than its two predecessors, which set the highest of standards by which to judge their successors.
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