In 1990, to protect his fragile mother from a fatal shock after a long coma, a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared.
A high school teacher's experiment to demonstrate to his students what life is like under a dictatorship spins horribly out of control when he forms a social unit with a life of its own.
A look at Germany's terrorist group, The Red Army Faction (RAF), which organized bombings, robberies, kidnappings and assassinations in the late 1960s and '70s.
Director:
Uli Edel
Stars:
Martina Gedeck,
Moritz Bleibtreu,
Johanna Wokalek
For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
Director:
Oliver Hirschbiegel
Stars:
Moritz Bleibtreu,
Christian Berkel,
Oliver Stokowski
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
Director:
Florian Henckel von Donnersmarck
Stars:
Ulrich Mühe,
Martina Gedeck,
Sebastian Koch
A dramatization of the final days of Sophie Scholl, one of the most famous members of the German World War II anti-Nazi resistance movement, The White Rose.
Director:
Marc Rothemund
Stars:
Julia Jentsch,
Fabian Hinrichs,
Alexander Held
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
In December 1914, an unofficial Christmas truce on the Western Front allows soldiers from opposing sides of the First World War to gain insight into each other's way of life.
A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The ... See full summary »
Director:
Leander Haußmann
Stars:
Alexander Scheer,
Alexander Beyer,
Robert Stadlober
East Germany, the year 1989: A young man protests against the regime. His mother watches the police arresting him and suffers a heart attack and falls into a coma. Some months later, the GDR does not exist anymore and the mother awakes. Since she has to avoid every excitement, the son tries to set up the GDR again for her in their flat. But the world has changed a lot.Written by
Benjamin Stello
The helicopter that flies past Alex (Daniel Brühl)' mother carrying a statue of Lenin is a Mil Mi-8 transport helicopter that was widely used in all Warsaw Pact states. In the GDR it was used specifically in the role of a flying crane. See more »
Goofs
After Ariane finds the letters from her father hidden in the kitchen, she holds one on which Christiane's name is misspelled as Christine. See more »
Quotes
[last lines]
[spoiler]
Alexander Kerner:
[voiceover]
My mother outlived the GDR by three days. I believe it was a good thing she never learned the truth. She died happy. She wanted us to scatter her ashes to the winds. That's prohibited in Germany, both East and West. But we didn't care.
[launches rocket]
Alexander Kerner:
She's up there somewhere now. Maybe looking down at us. Maybe she sees us as tiny specks on the Earth's surface, just like Sigmund Jähn did back then. The country my mother left behind was a country she believed in...
See more »
Crazy Credits
A CPR instructional diagram is included in the end credits. See more »
Last night I watched it for the second time. I'd seen it at the cinema two years ago, then last night my boyfriend, who hadn't seen it, decided to rent it. I loved it first time round, I loved it second time round, maybe even a tad more than I did originally. With wonderfully engaging characters all round, the film is endowed with a great sense of humour, both visual and verbal (and those Europhobic old Brits keep going on about how the Germans have no sense of humour!), it's socially relevant yet easier to watch than a straight comedy. The script is intelligent yet accessible to anyone, even a shallow teenager with no attention span whatsoever... yet IT is never shallow. And most of all, it's a deeply moving little gem of a film which however never abuses its secure grip on the heart-strings. I could see even my boyfriend was dewy-eyed at some points! And so was I, even more than two years ago. A small but perfectly formed film, it's actually not as small as one might think at first impact. Love (specifically, filial love) is its main theme, treated in a schmaltz-free, fresh, non-superficial and a non-clichéd manner.
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Last night I watched it for the second time. I'd seen it at the cinema two years ago, then last night my boyfriend, who hadn't seen it, decided to rent it. I loved it first time round, I loved it second time round, maybe even a tad more than I did originally. With wonderfully engaging characters all round, the film is endowed with a great sense of humour, both visual and verbal (and those Europhobic old Brits keep going on about how the Germans have no sense of humour!), it's socially relevant yet easier to watch than a straight comedy. The script is intelligent yet accessible to anyone, even a shallow teenager with no attention span whatsoever... yet IT is never shallow. And most of all, it's a deeply moving little gem of a film which however never abuses its secure grip on the heart-strings. I could see even my boyfriend was dewy-eyed at some points! And so was I, even more than two years ago. A small but perfectly formed film, it's actually not as small as one might think at first impact. Love (specifically, filial love) is its main theme, treated in a schmaltz-free, fresh, non-superficial and a non-clichéd manner.