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Hero (2002)

Ying xiong (original title)
Trailer
1:52 | Trailer
A defense officer, Nameless, was summoned by the King of Qin regarding his success of terminating three warriors.

Director:

Yimou Zhang

Writers:

Feng Li (screenplay), Yimou Zhang (screenplay) | 1 more credit »
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Popularity
3,299 ( 9)
Nominated for 1 Oscar. Another 46 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jet Li ... Nameless
Tony Chiu-Wai Leung ... Broken Sword (as Tony Leung Chiu-Wai)
Maggie Cheung ... Flying Snow (as Maggie Cheung Man-Yuk)
Ziyi Zhang ... Moon (as Zhang Ziyi)
Daoming Chen ... King (as Chen Dao Ming)
Donnie Yen ... Sky
Zhongyuan Liu Zhongyuan Liu ... Scholar (as Liu Zhong Yuan)
Tianyong Zheng Tianyong Zheng ... Old Servant (as Zheng Tian Yong)
Yan Qin ... Prime Minister
Chang Xiao Yang Chang Xiao Yang ... General
Yakun Zhang Yakun Zhang ... Commander (as Zhang Ya Kun)
Ma Wen Hua Ma Wen Hua ... Head Eunuch
Jin Ming Jin Ming ... Eunuch
Xu Kuang Hua Xu Kuang Hua ... Pianist
Shou Xin Wang Shou Xin Wang ... Musician
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Storyline

Ancient China and the Qin Empire is out to conquer the six kingdoms. This makes its king a target for assassination. However, one man has single-handedly ensured the safety of the king, by killing the three most notorious assassins in the land. Treated as a hero, he is summoned for an audience with the king. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

How far would you go to become a hero? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for stylized martial arts violence and a scene of sensuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Miramax [United States]

Country:

China | Hong Kong

Language:

Mandarin

Release Date:

27 August 2004 (USA) See more »

Also Known As:

Quentin Tarantino Presents Hero See more »

Filming Locations:

Dunhuang, Gansu, China See more »

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Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend USA:

$17,800,000, 29 August 2004

Gross USA:

$53,710,019

Cumulative Worldwide Gross:

$177,395,557
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(Director's Cut) | (Theatrical Version)

Sound Mix:

DTS | Dolby Digital

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

(at around 23 mins) The emperor remarks, after hearing Nameless tell him that there are 19 ways to write the word "sword", that he would solve this problem. In history, he succeeded in enforcing only one writing system in the whole of China. This way, whatever dialect people speak, they would be using the same set of characters making communication a lot easier. See more »

Goofs

On numerous occasions, it is possible to see the glue that molds the sides of Jet Li's wig to his head (it casts a plastic-like reflection in certain light). It's most noticeable during the fight with Ziyi Zhang("Moon"), when he traps one of her blades with his sword and there's a close-up of the side of his face, and at the very end, when he's reached the palace gate and turns towards the camera. See more »

Quotes

[first lines]
Nameless: [voiceover] I was orphaned at a young age and was never given a name. People simply called me Nameless. With no family name to live up to, I devoted myself to the sword. I spent ten years perfecting unique skills as a swordsman. The King of Qin has summoned me to court, for what I have accomplished has astonished the kingdom.
See more »

Alternate Versions

The Director's Cut was 107:15 minutes, compared to the theatrical version at 96:23 minutes. See more »

Connections

Referenced in Het glazen huis: Eigen agenda (2005) See more »

Frequently Asked Questions

See more »

User Reviews

An Academic Perspective
29 August 2004 | by Thalia115See all my reviews

A few things about this film struck me. My background coming into it is as an East Asian Studies major - I studied the language, culture, literature, film, history, religion, and politics of China. This was all done in undergrad so I am by no means the last word on the subject.

First of all, I noticed heavy use of Daoist symbols. The five elements were used - one per fight - fire, wind, water, wood, and metal. A message in the film seemed to show the Daoist idea that the harder you try, the worse you do, as Moon did in her fights. On the other hand, if you can go with the Dao (think: Use the force, Luke), you will succeed.

Second, I did not know before watching the film that it was Zhang Yimou's. His films are often critical of the Chinese Communist Party and sometimes have deep allegorical meaning. Some of his films are banned in China. Hero, on the other hand, seemed to be intensely nationalistic. Lately in China, the communist government has promoted nationalism (instead of populist Communist values as they did pre-1976) with a great degree of success. The use of the word "Tianxia" (literally "all under heaven," translated in the movie was "Our Land") seems Confucian and nationalistic at the same time. Although I would have not guessed this film was by Zhang Yimou from the plot or message, the cinematography was unmistakable. Hero eerily reminded me of another film, Yellow Earth (Huang Tudi), which Zhang Yimou did not direct but for which he did the cinematography.

Third, historically, Hero lacked in a few very obvious places. The Qin Emperor, Qin Shi Huang, was legendary for his fear of death and his Machiavellian rule. When his character states that he no longer fears death because of Broken Sword's words and invites Nameless to kill him, he is entirely breaking with the true historical figure of the emperor. Remember, this is the emperor who built an entire terracotta army to protect him from his enemies in death and spent a lot of money and effort looking for the secret to reach immortality. He was known for a Confucian philosophy spin-off known as Legalism, which is very similar to Western Machiavellianism. While his quick mind (or his advisor's) might have figured out Nameless's plot, he would never have hesitated in executing him.

Overall, this seems like a break from the usual genre one would expect from Zhang Yimou. I am not sure exactly what message he is trying to convey with this film, other than an endorsement of Chinese nationalism and perhaps Daoism as well.


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