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La habitación azul (2002)

A couple meet each other often in a motel room.


Walter Doehner


Walter Doehner (screenplay), Vicente Leñero (screenplay) | 1 more credit »
4 wins & 8 nominations. See more awards »


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Credited cast:
Juan Manuel Bernal ... Antonio
Patricia Llaca Patricia Llaca ... Andrea
Elena Anaya ... Ana
Mario Iván Martínez ... Nicolás
Margarita Sanz ... Dora
Damián Alcázar ... Garduño
José María Yazpik ... Roberto
Amor Huerta Amor Huerta ... Mariana
Joaquín Cosio ... Maestro de Obras
Rest of cast listed alphabetically:
Marco Antonio Aguirre Marco Antonio Aguirre ... Güicho el mudo
Enrique Arreola Enrique Arreola
Carolina Politi


Toño (Juan Manuel Bernal) and his wife, Ana (Elena Anaya), decide to return to the town of Toño's parents after a long stay in Mexico City. But things get complicated little by little when Toño meets again with Andrea (Patricia Llaca), a friend of the time of the institute, because they unchain the desires that both had repressed when they were adolescents. Their passion brings them to places never explored while, in the town, the rumors are not made to wait. Written by lament

Plot Summary | Add Synopsis


Drama | Romance


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Release Date:

4 May 2002 (Mexico) See more »

Also Known As:

Blekitny pokój See more »

Filming Locations:

El Chico, Hidalgo, Mexico See more »

Company Credits

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Technical Specs


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Did You Know?


The Room is actually blue in color. See more »

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User Reviews

Just a soapbox opera one hour and a half long
16 August 2002 | by pifasSee all my reviews

If you ever had the chance to watch more than one episode from a mexican soapbox opera, then you've seen this movie already. This "film" caused such a bliss here in México just because the female lead role, Patricia Llaca, appears full naked at the beginning; you wanna know what's the worst thing about it? that the nakedness doesn't play any key role on the developing of the plot beyond letting us know that two people are having a sexually driven affair. The same dialogue could have been chat in a café, playing tennis or just smoking, and everything would have been the same. And both parts are married by the way, and I'm not quite sure if that's why the producers said that the film was on the brink from being censured (?), or was it because the movie poster has a photo that shows Llaca's butt cheeks? I mean, come on! I really hope that any foreign people who get to read this doesn't get the wrong impression of mexican culture, thinking about us as retrogressive people 'cause we're not. Well, maybe just a little fraction of our society. But let's move on to the film.

First of all, I wanna let know that there's some very good mexican movies out there that I love, so it's not that I dislike in prejudice everything done in here, but, really, watching La habitación azul was a big mistake. Most part of the actors are from the soapbox opera mafia that controls our TV media -which means they can hardly act-, so I should've been warned by that; but then, there´s also in La habitación... a couple of good actors -like Damián Alcázar- that I enjoy watching at work. But then again, it seems that mediocrity -starting from the director´s own- surpassed by much the talent of the few brilliant involved, so the result is a boring movie that even some people have the nerve to call "a thriller". Is La habitación azul a thriller? then where was the thrill? or did I get lost? when? Suspense has the book The blue room by George Simenon, in which the movie is based upon, but this film a thriller? I don´t think so. It's nothing but a bunch of fake drama and zero suspense, no twists, no key parts demanding our brain to work, and no thrills at all!!!!! By half the movie we had lost any interest we may have had about the characters and their so in risk future. Of course there are some minor intrigues, absurd killings, and shallow secrets, but that doesn't create suspense by themselves, these are just TOOLS waiting for someone that can handle them in a wise manner, and based on the facts, Doehner couldn't. La habitación azul is nothing more than the usual stuff we get to see via those brainless, dramaless and hollow episodes of each soapbox opera that our TV networks puts on the air.

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