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Gigli (2003)

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Larry Gigli is assigned by a crime boss to kidnap the brother of a prominent district attorney. A beautiful woman known only as Ricki is sent to stay with him to make sure he doesn't mess up the job.

Director:

Martin Brest

Writer:

Martin Brest
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Bottom Rated Movies #19 | 12 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ben Affleck ... Larry Gigli
Terry Camilleri ... Man in Dryer (as Terrence Camilleri)
David Backus David Backus ... Laundry Customer
Lenny Venito ... Louis
Robert Silver Robert Silver ... Man in Debt
Luis Alberto Martínez Luis Alberto Martínez ... Adult Care Resident
Justin Bartha ... Brian
Jennifer Lopez ... Ricki
Christopher Walken ... Det. Stanley Jacobellis
Todd Giebenhain ... High School Kid #1
Brian Sites ... High School Kid #2
Brian Casey Brian Casey ... High School Kid #3
Les Bradford Les Bradford ... High School Kid #4
David Bonfadini David Bonfadini ... High School Kid #5
Dwight Ketchum Dwight Ketchum ... High School Kid #6 (as Dwight P. Ketchum)
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Storyline

Gigli, a lowly and inept hitman, is assigned a job by the mob to kidnap an intellectually disabled brother of a California district attorney. Gigli abducts the brother from his mental hospital and holds him hostage in his apartment. Ricki, a "lesbian assassin", is sent to oversee Gigli's job and make sure he doesn't screw it up. Comedic high jinks ensue as the two go on the lam and start to fall in love. Written by Ilya G.

Plot Summary | Plot Synopsis

Taglines:

The movie everyone is talking about. The couple everyone wants to be (Australian DVD cover) See more »

Genres:

Comedy | Crime | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, pervasive language and brief strong violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

1 August 2003 (USA) See more »

Also Known As:

Tough Love See more »

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Box Office

Budget:

$54,000,000 (estimated)

Opening Weekend USA:

$3,753,518, 3 August 2003, Wide Release

Gross USA:

$6,068,735, 17 August 2003
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Ben Affleck on Martin Brest in the film's production notes: "Working with Marty, we found ourselves on the same wavelength in terms of the things we think about, our senses of humor and the way we look at the world. He's someone whose passion and enthusiasm for making movies is tireless. He is an artist and a technician and a craftsman, and he is unflagging in his determination. He does many more takes than anybody I've ever worked with. It's a great luxury for an actor, because it gives you room to experiment, to go anywhere you want to go. I think he truly loves actors. I know he loves movies." See more »

Goofs

After Louis hangs up on Gigli - who questions about Ricki - Gigli still talks on the phone despite Louis hanging up on the other end. See more »

Quotes

[first lines]
Larry Gigli: You see, after all is said and done, the only thing you can be really sure of, the only thing you can really count on in this world, is that you just never fucking know.
See more »

Crazy Credits

Towards the end of the credits Brian (Justin Bartha) can be heard singing his rendition of "Baby Got Back". See more »

Alternate Versions

Film critic Michael Dequina saw an early version and described the differences to the released film in his review on 'The Movie Report Archive': "...Gigli plays in theatres a much different film than it once was. Since it looks increasingly unlikely Martin Brest's original Gigli will ever see the light of day again, I feel a need to describe the differences in this original version to the best of my admittedly foggy memory (after all, it has been nearly a year since I saw this original version) to prove that, if nothing else, the film originally added up to something. That said, there isn't too much in the way of concrete differences for most of either version's run time. Although some scenes (such as the detour to Larry's mother's house) originally lasted longer, the film plays more or less the same up to Al Pacino's cameo as mob boss Starkman, with the core trio of Larry, Ricki and Brian coming together in the exact same way, and Larry and Ricki sparring until she boldly declares "it's turkey time." One subtle adjustment, however, makes a difference. In the release version, the first real indication that Larry has any inclination toward leaving the criminal life behind comes late in the film, in a scene where he and Ricki talk in his car the morning after they consummate and right before the meeting with Starkman. Larry tells Ricki about his dream of finding "a clean place," and this revelation seems to come a bit out of nowhere, almost as a last-minute twist to send Larry on the road to Hollywoodized redemption. In the original cut, however, Larry's desire to leave the mob grind is established far earlier and much clearly, mere moments after the opening scene in the laundromat; we see Larry close his eyes and visualize this "clean place"--shown on screen as a pristine tropical beach overlooking an impossibly clear ocean. So when he finally makes mention of the "clean place" to Ricki, the audience knows exactly what he's talking about. Also, this once-recurring thread gives Larry a stronger link to Brian, as they are both--though Larry fails to recognize it--in a sense searching for "The Baywatch," thus turning what may seem like a cheap TV/pop culture reference into something a little more meaningful. Not long after the scene with Starkman comes the scene with Larry, Ricki and Brian driving by the Baywatch, which, much to Brian's delight, is "open"--and after this point the two Giglis veer in wildly different directions. In the release version, the three then stop at the beach; Larry makes arrangements to return Brian home; Brian joins some sort of music video shoot on the beach and meets the Aussie girl of his dreams; Larry lets Ricki take his car to escape to parts unknown--only to have her return and pick him up, and the two leave Los Angeles and a life of crime. Fade out; credits. While a beach-set scene also capped off the first version of Gigli, there was still a good deal of movie left to go at this point, during which a number of the plot and character points left dangling in the release cut are resolved. A number of points are resolved in a scene immediately after this first pass by the Baywatch. Larry pulls the car over by the side of a road, and Ricki finally comes clean to Larry, no doubt due to the violent scene at Starkman's place. She reveals that her real name is Rochelle, and she actually isn't a contractor--which then follows through on a number of points made earlier in the film: (1) during their first meet, Larry tells her that he hadn't seen her around before and didn't look like a contractor; and (2) Ricki's insistence on talking her way out of sticky situations, namely the confrontation with thugs at the fast food stand and the meeting at Starkman's. Ricki goes on to reveal that the actual hitwoman was her girlfriend Robin, whose single-scene appearance barging into Larry's apartment and slashing her wrists is rather bewildering without this payoff. She and Robin had some relationship problems, and as an as escape Rochelle tried to taste what Robin's life was like, and hence her showing up on Larry's doorstep. Since she was role playing, Ricki's "fence-jumping" with Larry makes more sense, as perhaps she did it because it was something she thought Robin would do; even "turkey time" makes more sense, as it was perhaps Rochelle's misbegotten idea of "tough" speak. But now having had her taste and then some after seeing Starkman kill Larry's higher-up Louis right in front of them, Rochelle tries to get Larry to pick up and leave with her. He declines, and so Rochelle takes her things and leaves him and Brian in the car. Rochelle is never again seen or heard from for the rest of the film; at the end there's no friendly reunion, let alone a lovey-dovey one. Not only does the loss of this scene harm the film from a basic story perspective, it also does a disservice to Lopez's performance. The entire crux of the character is in this scene, and, indeed, it is Lopez's finest moment in the film. With its deletion, what's left is a performance that can understandably be criticized as being an overly soft, less-than-convincing portrayal of a mob enforcer--because, after all, Ricki was originally conceived and performed as never being an actual one. With Ricki/Rochelle gone, Larry decides to do the right thing and turn Brian in to Christopher Walken's cop character, Jacobellis, whose role was substantially larger than the cameo that now remains. The two meet up in a warehouse, where Jacobellis, in another showy Walken speech, reveals that he has been working for Starkman all along--thus showing to Larry that even the apparent good guys in this world are also corrupt. There's gunplay, and Larry ends up shooting Jacobellis dead. However, Larry catches a bullet himself, square in the gut. A visibly shaken Brian sees his wound--"You're bleeding, Larry," he matter-of-factly states in a noticeably more somber tone--but Larry insists that he's fine. Slowly bleeding to death, Larry drives Brian all the way back to the Baywatch; there's a certain bittersweetness as Brian's excitement contrasts against Larry's dying selflessness, and the rough cut's temp score (Hans Zimmer's familiar Gladiator music) effectively enhanced the mood. Much of what follows then progresses as seen in the release version: Larry urges Brian on to join the dancers on the beach; Brian meets the Australian girl. However, Larry's reaction shots are completely different; instead of being alive and upright, nodding along, Larry is lying on the sand, bleeding, dying, which then makes Brian's shyness and uncertain looks all the more understandable. The music (in the rough cut, the song was "Let's Get Loud," a track from Lopez's first album) and dancing starts and, as in the release version, the action eventually goes into slow motion. But then we end on Larry's face, as he looks to the ocean, which we see is the spitting image of his fantasy "clean place"--he's finally found it, and what led him there was, ironically, the life path he was hoping to escape." See more »

Connections

Referenced in Saturday Night Live in the 2000s: Time and Again (2010) See more »

Soundtracks

Demagogue
Written by Silvano Matadin, Michel Schoots, Patrick Tilon and Rene Van Barneveld
Performed by Urban Dance Squad
Courtesy of Lovecat Records
By Arrangement with Ocean Park Music Group
See more »

Frequently Asked Questions

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User Reviews

 
$54,000,000! Where did all the money go?
16 June 2004 | by caspian1978See all my reviews

I saw this movie and hated about 99% of it. After I found out it cost $54,000,000 to make, I started to hate the other 1%. If this is considered a love story between Lopez and Affleck, may I ask...where was the love? A sex scene with no nudity, no passion, and no sound....why? Supporting characters like Christopher Walken and others were introduced and went no where...why? The story alone peeks when Pacino arrives and shoots one of the cast members. From there, i was hoping that Pacino had finished the job and killed the rest of the cast. If that happened, the movie would have been good. Instead, the movie drags and drags and drags. The audience is not going to care if the actors in the movie learn something or progress if they don't care about the characters. Lopez and Affleck's characters do not exist! Much like the ugly tattoos on Affleck's shoulder, the movie was not fun to look at. In my opinion, and I do not think I am wrong, if Lopez had a small nude scene and / or the movie was done as an independent film for under 2 or 3 million, Gigli would have been a giant success. Instead, we are left to wonder....why?


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