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Chicago (2002)

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Two death-row murderesses develop a fierce rivalry while competing for publicity, celebrity, and a sleazy lawyer's attention.

Director:

Rob Marshall

Writers:

Bill Condon (screenplay), Bob Fosse (book) | 2 more credits »
Popularity
1,657 ( 36)
Won 6 Oscars. Another 51 wins & 128 nominations. See more awards »

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Cast

Cast overview, first billed only:
Taye Diggs ... Bandleader
Cliff Saunders ... Stage Manager
Catherine Zeta-Jones ... Velma Kelly
Renée Zellweger ... Roxie Hart
Dominic West ... Fred Casely
Jayne Eastwood ... Mrs. Borusewicz
Bruce Beaton ... Police Photographer
Roman Podhora Roman Podhora ... Sergeant Fogarty
John C. Reilly ... Amos Hart
Colm Feore ... Harrison
Rob Smith Rob Smith ... Newspaper Photographer
Sean Wayne Doyle Sean Wayne Doyle ... Reporter
Steve Behal Steve Behal ... Prison Clerk
Robbie Rox Robbie Rox ... Prison Guard
Chita Rivera ... Nickie
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Storyline

Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago. Written by Debpp322

Plot Summary | Add Synopsis

Taglines:

If You Can't Be Famous, Be Infamous. See more »

Genres:

Comedy | Crime | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and dialogue, violence and thematic elements | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | Germany | Canada

Language:

English | Hungarian

Release Date:

24 January 2003 (USA) See more »

Also Known As:

Chicago: The Musical See more »

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Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend USA:

$2,074,929, 29 December 2002, Limited Release

Gross USA:

$170,687,518, 4 September 2003

Cumulative Worldwide Gross:

$306,776,732
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Black and White (mock newsreel)| Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

John Travolta, Kevin Spacey, John Cusack, Steve Martin, Kevin Kline, Rupert Everett and Hugh Jackman were all considered for the role of Billy Flynn. See more »

Goofs

In the 1920s, the electric chair had replaced hanging as Illinois' method of execution. See more »

Quotes

Velma Kelly: [getting out of a cab] Keep the change, Charlie.
See more »

Crazy Credits

There's no opening credits, save the title "CHICAGO". See more »

Connections

Featured in The 60th Annual Golden Globe Awards (2003) See more »

Soundtracks

After Midnight
(uncredited)
Written by Danny Elfman
Performed by Danny Elfman
See more »

Frequently Asked Questions

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User Reviews

 
An Amazing Piece of Cinema
11 May 2003 | by NovakMonkey2628See all my reviews

"Chicago" is a stunning, brilliant piece of cinema.

It tells the satirical story of a group of characters living in the windy city, in the roaring twenties: a voluptious vamp that burns in the spotlight, a red-hot mama matron, a greedy, flamboyant lawyer, a wannabe-star chorus girl, and her neglected, suffering, and lovable husband. There lives are interwoven and elaborated on, centering on the chorus girl's rise to fame, through shooting her lover. The genra here is musical. And every number is wildly entertaining, taking on the musical form of a vaudevillian show: there is a flashy, signature opener (All that Jazz), a legendary closer (Hot Honey Rag), a circus-show me act, and each character is rewarded a song of their own, to express themselves: the chorus girl, Roxie (Roxie), the voluptious vamp, Velma (I Can't do it Alone), the red-hot mama matron, Matron Mama Morton (When You're Good to Mama), the greedy Lawyer, Billy (All I Care About) and the neglected husband (Mr. Cellophane) dance gorgeoussly around in gold lamee, flapper outfits, sultry black vixon dresses, and tramp costumes to exagerate their personas.

The story's main center (the telling of the voluptious vamp and the chorus girl, fooling the public with their murders) is filled with juicy dialogue, and a beautiful flow from song to scene to song.

The talent of "Chicago" is unsurpassed. Renee Zellweger gives a legendary performance as Roxie, the chorus girl. Her brilliant, realistic acting, and her oozing charismaa through her musical numbers earned her an Oscar nomination, a SAG Award, and a Golden Globe. Richard Gere gives a fine, haughty potrayel of Billy, the lawyer, with a marvelous tap routine elaborating his talent. He was awarded a Golden Globe. Queen Latifah, and her wildly entertaining number (When You're Good to Mama), as well as her red-hot potrayel of Matron Mama Morton, earned her Oscar and Golden Globe nominations, the same as John C. Reilly who gives a beloved, funny, and heartbreaking potrayel of Amos. Mr. Reilly can belt out a mean Mr. Cellophane. But the highlight of Chicago's cast is Catherine Zeta-Jones, as Velma Kelly. Every time I view Chicago I am reminded of her brilliant talent. Miss Jones is a phenominal dancer, in rememberence of Cyd Charise and Ginger Rogers, as well as a fabulous tune belter, up there with Judy Garland. She's also an amazingly real actress, and brings beauty and class back to the movie musical. Her frankly beautiful potrayel of the vamp earned her a Golden Globe Nomination, a SAG Award, a BAFTA Award, and the grandaddy, an Oscar.

However, the man of the hour involved with Chicago is Rob Marshall, who is forever-presesnt behind the camera. He weaves a perfectly gorgeous mood throughout the memorable scenes, and his choreography and dancing abilities are on par with Bob Fosse. The star of Chicago is its impeccable dancing and choreography, with sure and creative movements everywhere you look. Mr. Marshall earned a DGA Award, and an Oscar nomination.

Chicago is one of the best films of the year, of the generation. Never before have I seen anything quite like it. It brings back the old movie musical, while giving a Broadway flare. It is completely revolutionary and legendary. A perfect 10/10.


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