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Chicago (2002)

PG-13 | | Comedy, Crime, Musical | 24 January 2003 (USA)
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Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

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Writers:

(screenplay), (book) | 2 more credits »
Popularity
1,336 ( 204)
Won 6 Oscars. Another 51 wins & 128 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Bandleader
... Stage Manager
... Velma Kelly
... Roxie Hart
... Fred Casely
... Mrs. Borusewicz
... Police Photographer
Roman Podhora ... Sergeant Fogarty
... Amos Hart
... Harrison
Rob Smith ... Newspaper Photographer
Sean Wayne Doyle ... Reporter
Steve Behal ... Prison Clerk
Robbie Rox ... Prison Guard
... Nickie
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Storyline

Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago. Written by Debpp322

Plot Summary | Add Synopsis

Taglines:

In a city where everyone loves a legend, there's only room for one. See more »

Genres:

Comedy | Crime | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and dialogue, violence and thematic elements | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Official Facebook | Official site

Country:

| |

Language:

|

Release Date:

24 January 2003 (USA)  »

Also Known As:

Chicago: The Musical  »

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Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend USA:

$2,074,929, 29 December 2002, Limited Release

Gross USA:

$170,687,518, 4 September 2003

Cumulative Worldwide Gross:

$306,776,732
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(mock newsreel)|

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One of 11 American Music/als to win Best Picture: 1)The Broadway Melody (1929), 2)The Great Ziegfeld (1936), 3)Going My Way (1944), 4)An American in Paris (1951), 5)Gigi (1958), 6)West Side Story (1961), 7)My Fair Lady (1964), 8)The Sound of Music (1965), 9)Oliver! (1968), 10)Amadeus (1984), 11)Chicago (2002). See more »

Goofs

When Velma Kelly "can't buy that kind of publicity," she pulls out a modern $1 dollar bill, which wasn't used in 1929. See more »

Quotes

Roxie: Say it again, Fred!
Fred Casely: You're a star, kid! My little shooting star!
See more »

Crazy Credits

Dedicated to Bob Fosse, Gwen Verdon, and Robert Fryer See more »

Connections

Referenced in Nostalgia Critic: Top 11 Dumbest Spiderman Moments (2011) See more »

Soundtracks

When You're Good to Mama
(1975)
Music by John Kander
Lyrics by Fred Ebb
Performed by Queen Latifah
Published by Unichappell Music, Inc. (BMI)
See more »

Frequently Asked Questions

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User Reviews

 
An Amazing Piece of Cinema
11 May 2003 | by See all my reviews

"Chicago" is a stunning, brilliant piece of cinema.

It tells the satirical story of a group of characters living in the windy city, in the roaring twenties: a voluptious vamp that burns in the spotlight, a red-hot mama matron, a greedy, flamboyant lawyer, a wannabe-star chorus girl, and her neglected, suffering, and lovable husband. There lives are interwoven and elaborated on, centering on the chorus girl's rise to fame, through shooting her lover. The genra here is musical. And every number is wildly entertaining, taking on the musical form of a vaudevillian show: there is a flashy, signature opener (All that Jazz), a legendary closer (Hot Honey Rag), a circus-show me act, and each character is rewarded a song of their own, to express themselves: the chorus girl, Roxie (Roxie), the voluptious vamp, Velma (I Can't do it Alone), the red-hot mama matron, Matron Mama Morton (When You're Good to Mama), the greedy Lawyer, Billy (All I Care About) and the neglected husband (Mr. Cellophane) dance gorgeoussly around in gold lamee, flapper outfits, sultry black vixon dresses, and tramp costumes to exagerate their personas.

The story's main center (the telling of the voluptious vamp and the chorus girl, fooling the public with their murders) is filled with juicy dialogue, and a beautiful flow from song to scene to song.

The talent of "Chicago" is unsurpassed. Renee Zellweger gives a legendary performance as Roxie, the chorus girl. Her brilliant, realistic acting, and her oozing charismaa through her musical numbers earned her an Oscar nomination, a SAG Award, and a Golden Globe. Richard Gere gives a fine, haughty potrayel of Billy, the lawyer, with a marvelous tap routine elaborating his talent. He was awarded a Golden Globe. Queen Latifah, and her wildly entertaining number (When You're Good to Mama), as well as her red-hot potrayel of Matron Mama Morton, earned her Oscar and Golden Globe nominations, the same as John C. Reilly who gives a beloved, funny, and heartbreaking potrayel of Amos. Mr. Reilly can belt out a mean Mr. Cellophane. But the highlight of Chicago's cast is Catherine Zeta-Jones, as Velma Kelly. Every time I view Chicago I am reminded of her brilliant talent. Miss Jones is a phenominal dancer, in rememberence of Cyd Charise and Ginger Rogers, as well as a fabulous tune belter, up there with Judy Garland. She's also an amazingly real actress, and brings beauty and class back to the movie musical. Her frankly beautiful potrayel of the vamp earned her a Golden Globe Nomination, a SAG Award, a BAFTA Award, and the grandaddy, an Oscar.

However, the man of the hour involved with Chicago is Rob Marshall, who is forever-presesnt behind the camera. He weaves a perfectly gorgeous mood throughout the memorable scenes, and his choreography and dancing abilities are on par with Bob Fosse. The star of Chicago is its impeccable dancing and choreography, with sure and creative movements everywhere you look. Mr. Marshall earned a DGA Award, and an Oscar nomination.

Chicago is one of the best films of the year, of the generation. Never before have I seen anything quite like it. It brings back the old movie musical, while giving a Broadway flare. It is completely revolutionary and legendary. A perfect 10/10.


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