6.1/10
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8 user 2 critic

Big Shot: Confessions of a Campus Bookie (2002)

R | | Drama | TV Movie 31 March 2002
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1:04 | Trailer

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Moyher's good boy Benny Silman from Brooklyn becomes an economics student at Arizona State University for the sun and sexy girls- and the proximity of gambling paradise Las Vegas. Benny ... See full summary »

Writers:

Michael Ritchie (story), Jason Keller (teleplay)
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Cast

Cast overview, first billed only:
David Krumholtz ... Benny Silman
Tory Kittles ... Stevin 'Hedake' Smith
Carmine Giovinazzo ... T-Bone
Jennifer Morrison ... Callie
Nicholas Turturro ... Joe Jr. (as Nick Turturro)
Frank John Hughes ... Brady
Zachary Levi ... Adam
James Le Gros ... Troy (as James LeGros)
Theo Rossi ... The Mook
deMann deMann ... Larry
Alex Rocco ... Dominic
Keith Loneker Keith Loneker ... Big Red
Jeremy Luke ... Nick (as Jeremy Luc)
Andy Buckley ... FBI Agent Simms
Colin Patrick Lynch ... Agent Vasquez
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Storyline

Moyher's good boy Benny Silman from Brooklyn becomes an economics student at Arizona State University for the sun and sexy girls- and the proximity of gambling paradise Las Vegas. Benny aces his studies, being a mathematical genius, but the one who earns money from him at sports is bookie Troy, who however recruits him as subcontractor, making a few thousand for himself. The next year Benny starts for himself, with a few dozen student vassals, and makes a hundredfold. A friend's big brother, Chicago stock-broker Joe Jr., doesn't hold Benny to a $6,000 loss but plants the idea of cheating by playing the 'spread' trough an accomplice jock, notably NBA-class college basketball player Stevin 'Hedake' Smith. Local drug lord Big Red imposes himself as second investor, but Benny manages to keep that secret for Joe's 'family'. Alas Benny also makes a single female conquest, Carolina horse rancher's daughter Callie, whose moralistic nagging not to 'waste his talent' makes working job, studies ... Written by KGF Vissers

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexual content and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

31 March 2002 (USA) See more »

Also Known As:

Big Shot - Wie das Leben so spielt See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Michael Ritchie's final film. He wrote the story before his death in 2001 and the film was dedicated in memory of him. See more »

Goofs

During the basketball game, it is obvious that the "people" in the upper seats are clearly cardboard cutouts due to a lack of extras on the set. See more »

Connections

References Scarface (1983) See more »

Soundtracks

Being There
Written by Steve Bauman (I) and Ron Finn
Performed by Sharkfinn
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User Reviews

 
After School Special with Four-Letter words

Hmmm, after reading the others' comments on "Big Shot: Confessions of a Campus Bookie", I am wondering if they really watched the same movie. Characters are the same, events are the same, even the silly cardboard cut-outs in the "big game" scene are the same.

So why would these people take the time to write glowing reviews of a boringly predictable moral tale?

Answer 1: Novices. Perhaps these people have never witnessed a "moving picture" before and are very impressed simply by the illusion of movement across large white screens (or glowing dots of light if they're watching on a television). Perhaps they have never experienced any of the thousands of children stories that show a protagonist doing something ethically questionable and then regretting it in the end (ie, "The Boy Who Cried Wolf", "King Midas", "The Godfather", or any story involving getting wishes).

Answer 2: Friends of the movie. Perhaps these people either worked on the movie or are somehow associated with people with interests in the movie.

To keep with the movie's theme, I'm giving 3:2 odds on the latter.

Okay, the review (skipping a summary as you can read that elsewhere): From the opening scene, the protagonist, Benny (ably played by Numb3rs' star David Krumholtz), tells us this is the story of how he came to regret his current state. This swift reveal also destroys much of the opportunity this movie had to keep us engaged. Instead of letting us discover what happens, we already know how it's going to turn out. There's a fourth act and a bizarre epilogue as well, but I'll get to that later.

Benny's sidekicks are capably but predictably played as your basic NYC stereotypes. Benny's girlfriend is decently portrayed by "House" star Jennifer Morrison. The other bookies, bad-guys, and the basketball star (Tory Kittles) are again simple characters marking simple stereotypes. While better actors could have squeezed something out of the characters, there was clearly nothing in the script for them to work with.

One interesting note is the excessive use of body-mounted cameras. These shots are used to portray various intense moods of Benny, but are so used that they get very annoying. Instead of hitting the same note on the piano, let the DP use other tricks, please. Other than that, the look and style was decent for an ultra-low budget film.

But for a movie that indulges so much in the coarse pleasures of life (drugs, violence, strip-clubs, etc.), I am amazed at the lack of female eye-candy in this film. This is made especially more painful from the tease of the establishing sequence of why Benny chose to come to Arizona in the first place. Even the titty-bar shuns nudity (the girls are all wearing bikinis or silly-looking pasties). Sure, this was a made-for-TV movie, but it's already rated R. Truly sad is the decision to make an exploitation movie and not have any exploitation.

While the occasional breaking of the fourth wall (where the Benny talks directly into the camera during a scene a la "Malcolm in the Middle") is amusing, the near constant use of voice-over narration to explain, re-explain, and re-re-explain the plot is not only overkill, it's downright insulting. I paused the movie eight times to cool down before I finally finished it. Had I been in a theater I would have simply walked out.

And if the painfully clear moral of the film wasn't drop-dead obvious enough, after the out-of-no-where fourth act comes an epilogue. In this final bit, the real Benny Silverman talks directly to the audience (think "Blow"), re-re-re-repeating the moral, insisting for the audience to never do what he did (what? and never get a movie made about your life?).

It's like paying to hear a rich drug addict preach about not doing drugs. For me, the message is clear: I want my money back!


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