In 1968, Canada saw the election of a Prime Minister unlike any other in its history, Pierre Elliot Trudeau. Handsome, witty, idealistic, flamboyant, courageous and debonair Trudeau rides on an unheard of crest of popularity nicknamed "Trudeaumania" that sweeps him into the highest political office in the country. At the same time, he develops a passionate romance with a young Margaret Sinclair that soon leads to marriage. However, events would put both Pierre's political and personal life under the gun as he must struggle with traumatic events like the terrorist crisis that grips Quebec in October 1970 which forces him to declare temporary martial law being but the first of the major challenges. At the same time, the demands of being a Prime Minister's wife takes its own toll on Margaret as her relationship with Pierre begins to disintergrate. Eventually, both pressures do their harm as the couple divorces and Pierre's political standing falls even as his Quebec Seperatist foes rise ...Written by
Kenneth Chisholm (firstname.lastname@example.org)
The scenes that took place in 1979, i.e. Trudeau leaving the House of Commons after resigning as Liberal leader, the news conference after he came back, and his being congratulated by the faithful after the news conference were all shot in the Centre Block of Parliament Hill on Sept. 11th, 2001. When cast and crew arrived that morning it was a bright sunny day, with Parliament Hill swarming with tourists. By mid afternoon the tourists were gone and Parliament Hill had been sealed off by the RCMP. Filming was allowed to continue inside the now empty building, but the RCMP would not allow any exterior filming. See more »
Rarely does a 3 hour political docu-drama have more than its subject matter to hold the viewer's interest. However, Canadian director Jerry Ciccoritti does not rely on his intriguing subject matter but tries many things to make "TRUDEAU" a ground breaking effort in this genre. His camera shots and techniques are staggering in their diversity. The film is full of visually effective montages, clever, seamless blending of real life footage and other arty editting techniques. The movie has as much cinematic flare as Trudeau had political flare. One such scene has Trudeau and his two henchmen(Duncan and Greenbaum) running and hiding from screaming girls, a parody of the Fab Four films. This was a neat summary of how Trudeaumania was as big as Beatlemania in the 1960s. Another original technique was the use of various time markers. During the FLQ crisis segment, which was a short 2 week event, Ciccoritti uses a shaded timeline to keep track of the event. During the Quebec Referendum/Constitution segment, a much longer event, the full date was displayed. Never have a seen a film with such sensitivity to the audience's potential problem of following events. Another thing that will cement this movie into Canadian lore is the cast. Patrick McKenna(RED GREEN SHOW) and Don McKellar(TWITCH CITY), more known for their comic style, get a chance to show their dramatic talents. The cast also includes veteran ensemble stars like Eric Peterson and R. H. Thomson(the King of Canadian mini-series). Ciccoritti's choice of Colm Feore(INSIDER, PEARL HARBOR) was perfect. Not only does Feore have star appeal, but his performance of Trudeau is award winning. Not only did he have the voice and mannerisms down pat but Feore vividly expressed the prime minister as a real character, not a caricature. Overall, this movie will delight Canadians and should have universal appeal as well.
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