Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
A giant, reptilian monster surfaces, leaving destruction in its wake as it strides into New York City. To stop it, an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
The Earth's core has stopped spinning. Disasters are happening around the globe, including; animals acting in bizarre ways, monstrous thunderstorms. Dr. Josh Keyes and his crew of 5 go down to the centre to set off a nuclear device, hoping to make the core start spinning again, or humanity will cease.Written by
The exploding Colosseum in Rome was created using a 40-foot model. See more »
(at around 1h 7 mins) When they're stuck in the geode and realize the lava is going to reach them, there is no reason they can't all retreat to inside the ship. They can clearly see that the lava is melting the crystals, and the ship can easily handle the temperature of the lava. There is no reason to risk anyone's life to continue trying to cut through the crystal that is jamming the lasers. See more »
How can you tell when a director is bad? I mean, assuming the director is given $50 million or so, competent actors, and a halfway-decent script, what would the film look like if he/she REALLY didn't know what he/she was doing? I think that film would look a lot like "The Core."
From the preview stage, this movie was on my "might see it but not pay for it" list, so I just now caught it on cable. Hilary Swank and Aaron Eckhart will definitely have Oscars someday, and most of the other actors who make it on the ship are of similar caliber. The comic relief generally works ("I'm going to need Xena tapes and lots of Hot Pockets"), and the plot is no more ridiculous than, say, "The Day After Tomorrow" (though it is slightly LESS ridiculous-- at least this movie attempts to offer a cause for the problem, however unlikely).
I remember watching "Entrapment," another John Amiel film, and thinking it was, in a word, awful. The editing was off, the plot lumbered ahead only through the will of Sean Connery's accent and Catherine Zeta-Jones spandex-clad anatomy. Watching "The Core," Amiel has decided his mistake was pacing, and turns up the volume to eleven and full speed ahead, hoping the charisma of his actors covers his butt. In the second half of the film, this works fine. In the first half, it just shows his limitations as a director... poor special effects during the space shuttle landing that could easily have been fixed with model work or different camera angles; birds going crazy and smacking into buildings look exactly like someone tossed a dummy against a building, then the editor cut it as close as possible. Truly, this is a man at the helm who doesn't know what a good film is supposed to look like. I wonder what an Ed Wood movie would have looked like, if someone had given THAT guy $50 million?
Characters die with clockwork predictability, and my only problem with the resolution was the actors were TOO good. They play geniuses, the absolute best in their fields, so when the movie ends I wanted to spend more time with them, see what incredible problems, discoveries, adventures they had next. The movie itself is barely a D+, thanks to the actors, occasionally adequate special effects (which we will call simply "effects"), and a really great score to hold it all together. I'd buy the score (not the pop songs over the credits) before I'd watch the movie again, but it's a thumbs up effort for everyone who isn't Amiel. Worth a dollar if you have two hours to kill.
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