A mean lord exiles fairytale creatures to the swamp of a grumpy ogre, who must go on a quest and rescue a princess for the lord in order to get his land back.
When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
When Woody is stolen by a toy collector, Buzz and his friends set out on a rescue mission to save Woody before he becomes a museum toy property with his roundup gang Jessie, Prospector, and Bullseye.
Rumpelstiltskin tricks a mid-life crisis burdened Shrek into allowing himself to be erased from existence and cast in a dark alternate timeline where Rumpel rules supreme.
The Dragon Warrior has to clash against the savage Tai Lung as China's fate hangs in the balance. However, the Dragon Warrior mantle is supposedly mistaken to be bestowed upon an obese panda who is a novice in martial arts.
The Madagascar animals fly back to New York City, but crash-land on an African nature reserve, where they meet others of their own kind, and Alex especially discovers his royal heritage as prince of a lion pride.
Shrek has rescued Princess Fiona, got married, and now is time to meet the parents. Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and the King find it hard to get along, and there's tension in the marriage. It's not just the family who are unhappy. Prince Charming returns from a failed attempt at rescuing Fiona, and works alongside his mother, the Fairy Godmother, to try and find a way to get Shrek away from Fiona.Written by
Film_Fan
Over 300 Hewlett Packard workstations were employed in the making of the film. See more »
Goofs
When Charming first pretends being Shrek, he convinces Fiona that his voice has changed. However, Fiona and Shrek have just heard each other screaming their names a few seconds ago. Fiona should've definitely realized that Charming isn't Shrek. See more »
Quotes
[first lines]
Prince Charming:
Once upon a time, in a kingdom far, far away, the king and queen were blessed with a beautiful baby girl, and throughout the land everyone was happy, until the sun went down, and they saw that their daughter was cursed with a frightful enchantment that took hold each and every night. Desperate, they sought the help of a fairy godmother, who had them lock the young princess away in a tower, there to await the kiss of the handsome Prince Charming. It was he who would chance the ...
[...] See more »
People Ain't No Good
Written by Nick Cave
Performed by Nick Cave & The Bad Seeds
Courtesy of Mute Records Ltd.
By Arrangement with Warner Strategic Marketing See more »
In many ways, Shrek 2 is to fairy tales, what Kill Bill:Vol.2 is to the Kung Fu genre. Although these are very different movies, both spoof all previous movies of their type and are loaded with insider allusions (just look at the length of the IMDb trivia sections for each!). Both use latest technology to create a hyper-real quality which goes beyond their forerunners to create a feel that the viewer is seeing something that has not been seen before. But each also stays true to their genres' formula conventions of character and plot that, though seemingly worn out, we still love. As a result these movies are satisfying, meeting some deep rooted needs but in novel and refreshing ways.
2004 may signal a trend in this kind of treatment of well treaded genres, with Westerns and Film Noir as two other potential future candidates.
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In many ways, Shrek 2 is to fairy tales, what Kill Bill:Vol.2 is to the Kung Fu genre. Although these are very different movies, both spoof all previous movies of their type and are loaded with insider allusions (just look at the length of the IMDb trivia sections for each!). Both use latest technology to create a hyper-real quality which goes beyond their forerunners to create a feel that the viewer is seeing something that has not been seen before. But each also stays true to their genres' formula conventions of character and plot that, though seemingly worn out, we still love. As a result these movies are satisfying, meeting some deep rooted needs but in novel and refreshing ways.
2004 may signal a trend in this kind of treatment of well treaded genres, with Westerns and Film Noir as two other potential future candidates.