Shrek and Fiona travel to the Kingdom of Far Far Away, where Fiona's parents are King and Queen, to celebrate their marriage. When they arrive, they find they are not as welcome as they thought they would be.
Shrek (Mike Myers) has rescued Princess Fiona (Cameron Diaz), got married, and now is time to meet the parents. Shrek, Fiona, and Donkey (Eddie Murphy) set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and King Harold (John Cleese) find it hard to get along, and there's tension in the marriage. It's not just the family who are unhappy. Prince Charming (Rupert Everett) returns from a failed attempt at rescuing Fiona, and works alongside his mother, the Fairy Godmother (Jennifer Saunders), to try and find a way to get Shrek away from Fiona.Written by
Film_Fan
When Shrek awakens in the barn surrounded by women, one of the women tells him she fetched him a pail of water. The woman later introduces herself as "Jill", as in Jack and Jill. See more »
Goofs
When Shrek and Fiona are in bed in the castle, she is lying
on her left side. After Shrek gets up and opens her music box, he looks at her and it shows her rolling onto her left side. She was on her left side to begin with. See more »
Quotes
[first lines]
Prince Charming:
Once upon a time, in a kingdom far, far away, the king and queen were blessed with a beautiful baby girl, and throughout the land everyone was happy, until the sun went down, and they saw that their daughter was cursed with a frightful enchantment that took hold each and every night. Desperate, they sought the help of a fairy godmother, who had them lock the young princess away in a tower, there to await the kiss of the handsome Prince Charming. It was he who would chance the ...
[...] See more »
Crazy Credits
Stay through part of the credits to see what happens between Donkey and Dragon. See more »
Alternate Versions
In the Austrian version of Fairy Godmother is spoken by Dagmar Koller. Also there are slight text differences to the German Version. See more »
In many ways, Shrek 2 is to fairy tales, what Kill Bill:Vol.2 is to the Kung Fu genre. Although these are very different movies, both spoof all previous movies of their type and are loaded with insider allusions (just look at the length of the IMDb trivia sections for each!). Both use latest technology to create a hyper-real quality which goes beyond their forerunners to create a feel that the viewer is seeing something that has not been seen before. But each also stays true to their genres' formula conventions of character and plot that, though seemingly worn out, we still love. As a result these movies are satisfying, meeting some deep rooted needs but in novel and refreshing ways.
2004 may signal a trend in this kind of treatment of well treaded genres, with Westerns and Film Noir as two other potential future candidates.
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In many ways, Shrek 2 is to fairy tales, what Kill Bill:Vol.2 is to the Kung Fu genre. Although these are very different movies, both spoof all previous movies of their type and are loaded with insider allusions (just look at the length of the IMDb trivia sections for each!). Both use latest technology to create a hyper-real quality which goes beyond their forerunners to create a feel that the viewer is seeing something that has not been seen before. But each also stays true to their genres' formula conventions of character and plot that, though seemingly worn out, we still love. As a result these movies are satisfying, meeting some deep rooted needs but in novel and refreshing ways.
2004 may signal a trend in this kind of treatment of well treaded genres, with Westerns and Film Noir as two other potential future candidates.