Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s.
An American nurse living and working in Tokyo is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim.
Director:
Takashi Shimizu
Stars:
Sarah Michelle Gellar,
Jason Behr,
Clea DuVall
Two strangers, who awaken in a room with no recollection of how they got there, soon discover they're pawns in a deadly game perpetrated by a notorious serial killer.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
Rachel Keller is a journalist investigating a videotape that may have killed four teenagers (including her niece). There is an urban legend about this tape: the viewer will die seven days after watching it. If the legend is correct, Rachel will have to run against time to save her son's and her own life.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
An interesting feature on the VHS release: rewind the tape to the very beginning. (Or just put the tape in the VCR when fully rewound.) When you play it, you see the cursed video. After the segment ends, you hear a phone ringing twice, then it goes into the previews. Also after the movie has ended, you see additional scenes that help explain the mystery of the cursed video. In the VHS reissue, it just has the movie itself. See more »
Goofs
In the shot of the horse falling off the ferry, the ferry's name "Quinault Seattle WA" is seen on on the vessel's side. Rachel looks down at the horse in the water from the same place it jumped but the appearance of the ferry's name is now different, namely the position of the two words "Seattle" and "Quinault" are now flush with each other when they were not before. See more »
Quotes
[first lines]
Katie:
I hate television. Gives me headaches. You know, I heard there's so many magnetic waves traveling through the air, because of TV and telephones, that we're losing, like, ten times as many brain cells as we're supposed to. Like, all the molecules in our heads are all unstable. All the companies know about it, but they're not doing anything about it. It's, like, a big conspiracy.
See more »
Crazy Credits
At the very end of the credits, Samara repeats her song. See more »
The Ring did three things no film of late has done. It took the genre of Horror seriously without going over the top. It is derived from a superior story and translated to American film superbly, regardless of what the naysayers say. And, while it starts off typically, it ascends into a beautiful, darkling, twisted, genuinely creepy story, which holds you through to the end.
Gore Verbinski's style is unmistakable. He has left this work well marked with his stylistic shots, and suspenseful progression.
Actually, I found this far superior to most horrors done in the last thirty years or so. A lot has been said about Ringu, the work from which this was adapted for American cinema, and inevitable subsequent comparisons made, however, that is certainly NOT the case. That argument is moot, as this work was based on the novel, "The Ring" by Koji Suzuki, so if you want something to which an honest comparison may be made, I would suggest you read the book, and leave Ringu where it belongs. Personally, I found the American adaptation much more to my liking than Ringu.
This is one twisted little creep-fest! It rates an 8.7/10 from...
the Fiend :.
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The Ring did three things no film of late has done. It took the genre of Horror seriously without going over the top. It is derived from a superior story and translated to American film superbly, regardless of what the naysayers say. And, while it starts off typically, it ascends into a beautiful, darkling, twisted, genuinely creepy story, which holds you through to the end.
Gore Verbinski's style is unmistakable. He has left this work well marked with his stylistic shots, and suspenseful progression.
Actually, I found this far superior to most horrors done in the last thirty years or so. A lot has been said about Ringu, the work from which this was adapted for American cinema, and inevitable subsequent comparisons made, however, that is certainly NOT the case. That argument is moot, as this work was based on the novel, "The Ring" by Koji Suzuki, so if you want something to which an honest comparison may be made, I would suggest you read the book, and leave Ringu where it belongs. Personally, I found the American adaptation much more to my liking than Ringu.
This is one twisted little creep-fest! It rates an 8.7/10 from...
the Fiend :.